Page 44 - March 23 2022 Boinghams NYC Indian and Himalayan Art
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          A RARE GILT-BRONZE FIGURE OF BUDDHA
          TIBET, 15TH CENTURY
          6 in. (15.2 cm.) high
          $30,000-50,000

          PROVENANCE:
          Private collection, Niigata, Japan, 1970s, by repute.
          LITERATURE:
          Himalayan Art Resources, item no. 24741.

          This  richly-gilt  bronze  figure  of  Buddha,  supported  on  a  stepped  throne
          and backed by a flaming aureole, both with diminutive images of attendant
          figures, displays an unidentified iconographic program, but displays all of the
          hallmarks of fifteenth-century Central Tibetan metalwork, including powerful
          modeling of the central figure, heavy gilding, and fine incised detailing.
          The  Buddha  sits  proudly  on  an  upturned  lotus  base  with  his  legs  crossed
          in  vajrasana  and  his  hands  in  bhumisparshamudra,  recalling  the  moment
          the  Buddha  Shakyamuni  defeated  the  temptations  of  Mara  and  attained
          enlightenment  at  the  site  of  Bodh  Gaya.  He  is  cloaked  in  a  diaphanous
          sanghati with hems incised with a scrolling foliate pattern and which reveals
          his  softly  modeled  form  beneath.  The  head  is  supported  on  a  short  neck
          which  also  possibly  references  the  main  image  of  Buddha  at  Bodh  Gaya,
          which is depicted with a short neck. His face is full in the cheek and chin, with
          sinuously-arched eyelids and brows centered by a raised urna and flanked by
          the pendulous earlobes of a prince. The hair is depicted in tight curls over the
          ushnisha, which is topped by a gilt-knot.
          The Buddha is backed by an integral flaming aureole which rises from vases at
          either corner. At the top of the aureole is a diminutive image of what appears
          to  be  a  rare  form  of  Shadakshari  Lokeshvara,  a  form  of  the  bodhisattva,
          Avalokiteshvara.  Further  down,  flanking  the  Buddha  at  his  shoulders,  are
          further images of Vajrapani at proper right and Green Tara at proper left. The
          lotus base on which the central figure sits has two attached lotus bases at
          either side with apertures on top that likely would have supported additional,
          separately cast figures. All are supported on a two-tiered throne, with the top
          tier supported by foliate columns similar to those supporting the tiers of the
          famous  stepped  stupas  of  Densatil  monastery.  At  the  center  of  the  throne
          within  an  arched  niche  is  a  dancing  female  figure,  possibly  representing  a
          musician. To either side of her are further images of a seated siddha-like figure
          at proper right and a dancing dakini at proper left, and a lion can be found at
          each side of the throne.
          While  the  iconography  remains  an  enigma,  the  composition  of  the  throne,
          the rich gilding, and form of the central Buddha are reminiscent of some of
          the great Tibetan metal casting monuments of the fifteenth century, such as
          Densatil, and it is possible this small work was a personal altar made in the
                                                                       (another view)
          the same milieu.

          西藏   十五世紀   鎏金銅佛坐像
          來源:
          私人珍藏, 新潟市, 日本, 1970年代 (傳)
          出版:
          “喜馬拉雅藝術資源” (Himalayan Art Resources), 編號24741







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