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TIBETAN PAINTINGS FROM THE COLLECTION
                                                                                                                                 OF RALPH GLASGAL (LOTS 401-416)
                                                                                                                                 TIBETAN PAINTINGS FROM THE
                                                                                                                                 COLLECTION OF RALPH GLASGAL
                                                                                                                                 (LOTS 401-416)
                                                                                                                                 401
                                                                                                                                 A RARE PAINTING OF AMITABHA IN
                                                                                                                                 THE SUKHAVATI
                                                                                                                                 PROBABLY WESTERN TIBET, 15TH-16TH
                                                                                                                                 CENTURY
                                                                                                                                 15v x 9p in. (39.7 x 23.5 cm.)
                                                                                                                                 $15,000-20,000
                                                                                                                                 LITERATURE:
                                                                                                                                 Himalayan Art Resources, item no. 24725.
                                                                                                                                 This  rare  painting  depicts  the  tathagata,
                                                                                                                                 Amitabha, seated in the Sukhavati, otherwise
                                                                                                                                 known as the Western Pure Land. Worship of
                                                                                                                                 Pure Land and of Amitabha in the Sukhavati in
                                                                                                                                 particular,  was  extremely  popular  across  the
                                                                                                                                 Himalayas and East Asia from an early date.
                                                                                                                                 In  the  present  painting,  Amitabha  is  seated
                                                                                                                                 on  a  throne  over  a  lotus  blossom  emerging
                                                                                                                                 from  the  waters  below.  At  the  top  of  the
                                                                                                                                 painting, the primordial buddha Vajradhara is
                                                                                                                                 seated alongside the five tathagata or dhyani
                                                                                                                                 buddhas,  and  the  rest  of  the  composition  is
                                                                                                                                 filled with a multitude of bodhisattvas, retinue
                                                                                                                                 figures, and lamas, including six lamas facing
                                                                                                                                 one  another  and  presumably  passing  along
                                                                                                                                 Buddhist teachings. Palaces sit in each corner
                                                                                                                                 of the painting.
                                                                                                                                 Certain  characteristics  of  the  style  point  to
                                                                                                                                 a  Western  Tibet  origin  for  the  painting:  the
                                                                                                                                 triangular  swatches  of  fabric  at  the  front  of
                                                                                                                                 the throne base, the stylized and exaggerated
                                                                                                                                 folds  of  the  drapery  of  the  central  figure,
                                                                                                                                 and  the  lettuce-like  petals  of  the  lotus  base
                                                                                                                                 are  all  typical  of  Western  Tibetan  paintings,
                                                                                                                                 particularly from the area of Guge. Compare
                                                                                                                                 with a painting of Amitabha in the Sukhavati
                                                                                                                                 in  the  collection  of  the  Brooklyn  Museum  of
                                                                                                                                 Art (acc. no. 84.265), illustrated on Himalayan
                                                                                                                                 Art Resources, item no. 86908.

                                                                                                                                 或為西藏西部   十̩ 十Սˠ紀   無量壽ζ像
                                  Tibetan Paintings From The
                                                                                                                                 ֦ḙ
                               Collection Of Ralph Glasgal                                                                       ğ喜馬拉雅藝術資源Ġ 	)JNBMBZBO "SU
                                                                                                                                 3FTPVSDFT

 編號




                           The following selection of Tibetan paintings (lots 401-416) come from the collection of noted explorer,
                           scientist, and audio engineer, Ralph Glasgal (b. 1932). As part of his scientific research and engineering
                           work, Glasgal has traveled all over the world, from the icy shores of Antarctica to the Himalayas. As an
                           auroral scientist with the United States wintering party of the 1957 Antarctic mission of the International
                           Geophysical  Year  at  Wilkes  Station  in  Antarctica,  Glasgal  was  the  first  person  to  set  foot  on  a  small,
                           penguin-occupied island in Vincennes Bay – the island was subsequently named for him. In later decades,
                           Glasgal’s passions extended to mountaineering, and he has reached the base camps of the world’s ten
                           highest mountains. During his time trekking in the Himalayas, he also developed a passion for Tibetan
                           art, and Christie’s is honored to present a small portion of Mr. Glasgal’s collection of Tibetan paintings in
                           the following lots.

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