Page 67 - March 23 2022 Boinghams NYC Indian and Himalayan Art
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THE PROPERTY OF AN EAST COAST COLLECTOR
 432
 A LARGE BRONZE FIGURE OF PADMASAMBHAVA
 TIBET, 18TH CENTURY
 13√ in. (35.2cm.) high
 $15,000-20,000
 PROVENANCE:
 Sotheby Parke Bernet, New York, 23-25 May 1979, lot 99.
 LITERATURE:
 Himalayan Art Resources, item no. 24747.
 This  large,  fierce,  and  finely-detailed  bronze  depicts  Padmasambhava,  the
 storied  Tantric  mystic  credited  with  establishing  Buddhism  in  Tibet.  In  the
 present lot, Padmasambhava sits in lalitasana, the pose of royal ease, exuding
 importance and authority. He holds a vajra, a stylized thunderbolt. His ornate
 robes  are  resplendent  with  floral  motifs,  indicating  the  level  of  technical
 expertise  required  to  produce  this  devotional  object.  He  also  has  multiple
 items associated with exorcism, including a khatvanga, or magic staff, and the
 raven feather-topped crown.
 Padmasambhava  is  often  depicted  with  these  items  because  of  his  role  in
 vanquishing the demons that threatened the building of a Buddhist monastery.
 In 747, King Tri-srong-destan invited Padmasambhava to Tibet from Uddiyana,
 a  region  in  present-day  Pakistan.  Padmasambhava  reportedly  exorcised
 the demons threatening the building of the monastery at Samye, one of the
 first  major  Buddhist  monasteries  in  Tibet.  The  mystic  also  mediated  local
 conflict  between  indigenous  religion  and  Buddhism  by  incorporating  local
 gods into the Buddhist pantheon as protector deities, helping to popularize
 Buddhism  in  Tibet.  He  is  also  known  for  translating  numerous  Indian  texts
 into  Tibetan,  and  for  leaving  behind  secret  writings  for  his  followers  to
 uncover. Padmasambhava is closely associated with the Nyingma sect, one
 of  the  oldest  Tibetan  Buddhist  sects  who  trace  their  lineage  to  the  Samye
 monastery. They honor Padmasambhava as “The Second Buddha,” as one of
 the foundational figures of the Buddhist faith.
 The work is inscribed:
 om ah hum vajra guru padma siddhi hum [guru mantra]
 Homage to the the Glorious Subjugator of all that Appears and Exists!

 The old and learned one was made by Mana Shakya.


 西藏   十八世紀   銅蓮花生大士坐像
 來源:
 紐約蘇富比Parke Bernet, 1979年5月23-25日, 拍品編號99
 出版:
 “喜馬拉雅藝術資源” (Himalayan Art Resources), 編號24747







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