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3709

             A TEADUST-GLAZED VASE,                     清乾隆   茶葉末釉荸薺瓶
             SEAL MARK AND PERIOD OF QIANLONG           《大清乾隆年製》款
             Japanese wood box, wood stand
             33.5 cm                                    來源:
                                                        日本家族收藏,關西,自二十世紀初
             PROVENANCE
             A Japanese family collection, Kansai, since the early 20th
             century.

             HK$ 600,000-800,000
             US$ 77,000-103,000










             Exclusively reserved for imperial consumption, teadust glaze   kilns], Tokyo, 2006, cat. no. 109; another, with the glaze
             was one of the many new colours for porcelain invented   thinning at the rim, is in the Victoria and Albert Museum,
             under the supervision of the great Tang Ying (1682-1756)   London (accession no. 735-1883); the third vase is in the
             during the Yongzheng and Qianlong reigns.   Baur Collection, illustrated in John Ayers, Chinese Ceramics
             Aptly termed ‘teadust’ because of its characteristic flecked   in the Baur Collection, vol. 2, Geneva, 1999, pl. 297; and a
             olive-green tone that resembles the colour of ground tea   further example is in the Meiyintang Collection, illustrated
             leaves, the glaze was achieved through the use of iron oxide   in Regina Krahl, Chinese Ceramics from the Meiyintang
             and careful manipulation of the firing temperature. During   Collection, vol. 2, London, 1994, pl. 936.
             the high-temperature firing process, yellow crystals in the   See also an example from the T.Y. Chao Collection, sold in
             glaze precipitated, creating a contrast against the dark green   our Hong Kong rooms, 19th May 1987, lot 294, and again
             ground and resulting in the desired tea-dust effect.  at Christie’s New York, 20th March 1997, lot 128; another
             Compare several similar vases preserved in prominent   from the collection of Gerson and Judith Leiber, sold in our
             museums and private collections: one pair is housed in   New York rooms, 20th March 2018, lot 437; and a vase from
             the Seikado Bunko Museum, Tokyo, illustrated in Seikado   Mayuyama & Co., Ltd, sold twice in these rooms, 8th April
             zo Shincho toji. Keitokuchin kanyo no bi [Qing porcelain   2013, lot 3067 and 3rd October 2017, lot 3665.
             collected in the Seikado. Beauty of the Jingdezhen imperial




















             Mark




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