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           A RARE PAIR OF IVORY AND          Painted enamel and ivory # gures of this type are   ૶৻ඤ   ზߣ೥೗๻̋൥˫ഁɿ྅ɓ࿁
           PAINTED ENAMEL FIGURES OF         rare and only one other closely related example   Ը๕
           KNEELING BOYS                     is known, from the J.E.G. Kulkindis collection,
                                             o$ ered at Bonhams London, 10th November   R H R  Palmer  1898 1970  ϗᔛ
           QING DYNASTY, QIANLONG            2016, lot 100. Compare also a pair of kneeling   Hon  Nellie Ionides ˃ɛ             ϗᔛ
           PERIOD                            # gures modeled in a related style, formed of a   ࡐ౱ᘽబˢ1964ϋ2˜18˚dᇜ໮192
                                             variety of materials including wooden bodies,
           each enameled metal body with carved ivory                         John Sparks  Ltd dࡐ౱d1964ϋ6˜10˚
                                             enameled copper attributes, and ivory heads
           heads and hands, modeled kneeling in mirror of                     Sydney T  Cook             ϗᔛd Ϥܝ࢕
                                             and hands, attributed to the eighteenth century,
           the other, their bodies turned slightly to the side                ૄෂו
                                             from the collections of H.M. Queen Mary and Mrs
           with arms extended, vibrantly painted with gilt
           blue-ground robes above puce trousers, the faces   Ra#  Y. Mottahedeh, included in the International   ̈و
                                             Exhibition of Chinese Art, Royal Academy of   R  Soame Jenyns Chinese Art III‘dॲ
           # nely detailed with smiling expressions. the hair
                                             Arts, London, 1935, cat. no. 688, and exhibited
           gathered into two top knots, raised on # xed gilt-                 ߒd1965ϋd੹ྡو96ʿ܆ࠦ
                                             in Chinese Ivories from the Shang to the Qing,
           metal stands in incised with lotus scroll (2)
           Height 8⅛ in., 20.6 cm            Sotheby’s, London, 1984, cat. no. 135, where
                                             it mentions that the set was probably made in
                                             Guangdong, which was ‘not only the main foreign
           PROVENANCE
                                             trading port in the eighteenth century but also
           Collection of R.H.R. Palmer (1898-1970).  a centre of enamelled copper wares for the
           Collection of the Hon. Mrs. Nellie Ionides (1883-
                                             European market’ (p. 115).
           1962).
           Sotheby’s London, 18th February 1964, lot 192.   Ⴚ  $ 60,000-80,000
           John Sparks, Ltd., London, 10th June 1964.
           Collection of Sidney T. Cook (1910-1964), and
           thence by descent.                Please note that this lot is limited to buyers in the
                                             United States only and cannot be exported.
           LITERATURE                        หሗءจd͉שۜຫ˟̈ɹЇߕ਷ྤ̮f
           R. Soame Jenyns, Chinese Art III, New York, 1965,
           col. pl. 96 and front cover.





























           One of the present pair illustrated on the front cover
           of R. Soame Jenyns, Chinese Art III, New York, 1965
           ͉ۜՉɓ፽׵܆ࠦ R. Soame Jenynsd
           Chinese Art III‘dॲߒd1965ϋ




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