Page 51 - important chinese art mar 22 2018
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           A FINE BLUE AND WHITE ‘LANÇA     Finely potted and elegantly decorated, this   the Roemer-Museum, Hildesheim, is published in
           CHARACTERS’ STEM BOWL            stem bowl embodies two major interests of the   Chinesisches Porzellan, Mainz am Rhein, 1981, pl.
                                            Qianlong emperor (r. 1736-1795): his love of   59; and two were sold in our London rooms, 17th
           QIANLONG SEAL MARK AND
                                            antiquity and his devotion to Tibetan Buddhism.   January 1999, lot 785, and the other, 20th June
           PERIOD                           The emperor’s patronage of Buddhism directed   2001, lot 122.
                                            the production of many sophisticated artifacts
           supported on a splayed hollow stem foot angled                     For a smaller version of this vessel, see one in
                                            referencing various sacred ritual objects. The
           to the cup with steep sides rising from a ! at                     the National Palace Museum, Taipei, published in
                                            present vessel appears to have been inspired by
           base to a ! ared mouthrim, the exterior painted                    Illustrated Catalogue of Ch’ing Dynasty Porcelain
                                            the metal butter lamp, a popular ritual item of
           in bright cobalt tones with eight lança characters                 in the National Palace Museum. Republic of China.
                                            Tibetan Buddhism symbolizing the wisdom of the
           surrounded by an undulating stem of lotus issuing                  Ch’ien-lung Ware and Other Wares, vol. 2, Tokyo,
                                            awakened mind. Although blue and white stem
           large ! ower-heads and curled acanthus leaves,                     1981, pl. 13; and another sold in our Hong Kong
                                            bowls of this type were produced in porcelain
           the underside with petal lappets above bands of                    rooms, 20th May 1981, lot 746, and again, 8th
                                            from as early as the 15th century, this well-
           halved ! orets divided by a raised rib picked out                  October 2013, lot 3024.
                                            potted bowl, featuring steeper sides and a more
           with arrowheads, the stem skirted by ruyi-heads
                                            prominent splayed foot, demonstrates the ability
           suspending interlinked tassels, the interior with                  $ 70,000-90,000
                                            of craftsmen working at the imperial kilns to
           a stylized peony medallion within a double-line
                                            create a modern representation of a classic form.    ૶৻ඤ   ڡڀ૕˖ᚂ،೦ᇳ७৷ԑ䋘
           border repeated at the rim, the interior of the foot
           with a six-character seal mark in a horizontal line   A closely related stem bowl, in the Asian Art   ɽ૶৻ඤϋႡ‘ಛ
           in underglaze blue               Museum of San Francisco, San Francisco, is
           Height 5⅜ in., 13.6 cm           illustrated in He Li, Chinese Ceramics. The New
                                            Standard Guide, London, 1996, pl. 595; another in
















































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