Page 17 - 2019 September 12th Christie's New York Chiense Art Masterpieces of Chinese Gold and Silver
P. 17

It appears that Carl Kempe’s interest in Chinese art began in the 1920s, and 1930-31 he was one
                           of the private members of the Karlbeck Syndicate (see lists of syndicate members compiled by
                           Valérie Jurgens in The Karlbeck Syndicate 1930-1934: collecting and scholarship on Chinese art in
                           Sweden and Britain, PhD thesis, SOAS, London 2010, https://eprints.soas.ac.uk/13095).  This was
                           a syndicate initiated by the Swedish civil engineer Orvar Karlbeck (1879-1967), who worked on the
                           construction of railways in China for some twenty years.  While there, Karlbeck amassed a signifcant
                           collection of early Chinese bronzes, which he sold to the then Crown Prince of Sweden (1882-1973,
                           later HM King Gustav VI Adolf, r. 1950-1973), when the latter visited China in 1926.  In 1930 Karlbeck
                           established a syndicate to purchase Chinese art objects on behalf of a consortium of museums and
                           private collectors in Europe – primarily Sweden and Britain.
                           There were three Karlbeck Syndicates: one in 1930-31, one in 1931-32, and the last in 1934.  The
                           1930-31 syndicate, in which Carl Kempe participated, included, among others, the Museum of Far
                           Eastern Antiquities, Stockholm; the Röhsska Konstslöjdmuseet (Röhsska Museum of Design and
                           Applied Arts), Göteborg; and the Hallwyl Collection, Stockholm.  It is interesting that the Hallwyl
                           Collection was included in the syndicate, since this was a collection amassed by one of Carl Kempe’s



                           十載。旅華期間,他庋藏了一批可觀的中國早期青             遠東古物博物館、哥特堡的勒斯卡設計與應用藝
          (above)
                           銅器,其後出讓予1926年訪華的瑞典王儲 (即登基          術博物館,以及斯德哥爾摩的霍氏珍藏 (Hallwyl
          Photograph taken
          around the time of   後的HM King Gustav VI Adolf,1950-1973年在  Collection)。霍氏珍藏的出現頗引人入勝,因為
          the opening of the
          1935-1936 International   位,生卒年為1882-1973年)。柯氏於1930年成立  背後的藏家同樣是凱波家族的成員。霍維娜女伯爵
          Exhibition of Chinese
          Art, London. Shown are   財團,旨在集資購藏中國藝術品,其成員是歐洲 (以   (Countess Wilhelmina von Hallwyl,1844-1930
          Carl Kempe (center), Sir   瑞典和英國為主) 的博物館及私人藏家。      年) 是老凱波 (Johan Christoffer Carl
          Percival David (far left),
          His Royal Highness the   財團共分三期,其營運期分別為1930-31      Kempe,1799-1872年) 之弟威廉 (Wilhelm
          Crown Prince of Sweden
          (third from right) and   年、1931-32年及1934年。凱波參與的是1930-31  Kempe,1807-1883年) 的女兒。她繼承了父親的
          Oscar Raphael                                       大筆遺產,所以雖於1864年與霍華德伯爵 (Count
          (far right).     年的基金會,同期的成員還包括瑞典斯德哥爾摩
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