Page 57 - 2019 September 12th Christie's New York Chiense Art Masterpieces of Chinese Gold and Silver
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521

          A BRONZE AND GOLD HARNESS FITTING
          SPRING AND AUTUMN PERIOD, LATE 6TH-EARLY 5TH
          CENTURY BC
                                                              LITERATURE
          The circular ftting is comprised of three cast gold animal masks raised   Bo Gyllensvärd, Chinese Gold & Silver in the Carl Kempe Collection,
          on bronze posts that project from the top of the domed bronze ring, the   Stockholm, 1953, cat. no. 3.
          outward-facing masks with protruding tongue, small nose, and bulbous   Chinese Gold & Silver in the Carl Kempe Collection, The Museum of Art
          eyes below small ears and curved horns.             and Far Eastern Antiquities in Ulricehamn, Ulricehamn, 1999, pl. 3.
          2¿ in. (5.4 cm.) diam.                              Based on similar fttings excavated from various Warring States sites,
          $10,000-15,000                                      this ftting and others like it appear to be harness fttings. A similar
                                                              ftting was excavated from a large pit flled with the remains of chariots
                                                              and horses at a Warring States site at Fengxiang Doufu village in
          PROVENANCE                                          Shaanxi province. Two similar fttings, with cast gold masks, have been
          Dr. Johan Carl Kempe (1884-1967) Collection, Sweden, before 1953,    published. One is illustrated by Peter Y. K. Lam, ed., Celestial Creations:
          no. CK3.                                            Art of the Chinese Goldsmith, The Cheng Xun Tang Collection, vol. I,
          Sotheby’s London, Masterpieces of Chinese Precious Metalwork.    Art Museum, Institute of Chinese Studies, The Chinese University of
          Early Gold and Silver, 14 May 2008, lot 12.         Hong Kong, 2007, pp. 62-63, no. A29; the other by Simon Kwan and
                                                              Sun Ji, Chinese Gold Ornaments, Hong Kong, 2003, pp. 198-99, pl. 60.
          EXHIBITED
                                                              Also illustrated, pl. 198, is an example with inward-facing, silver masks
          Copenhagen, Dansk Kunstindustrimuseum, Kinas Kunst i Svensk og
                                                              surmounting each post, excavated from the tomb of King Cuo (r. 327-313
          Dansk eje, 1950, cat. no. 166.
                                                              BC), State of Zhongshan, in Lingshou, Pingshan county, Hebei province,
          Washington, D.C., Smithsonian Institution, Chinese Gold & Silver in the
                                                              and also by Han Wei and Christian Deydier, Ancient Chinese Gold, Paris,
          Carl Kempe Collection, 1954-55, cat. no. 3.
                                                              2001, p. 53, no. 86. A similar pair with gold foil-covered bronze masks,
          New York, Asia House Gallery, Chinese Gold, Silver and Porcelain. The
                                                              from the collection of Robert Hatfeld Ellsworth, sold at Christie’s New
          Kempe Collection, 1971, cat. no.2, an exhibition touring the United States
                                                              York, 26 March 2010, lot 1290.
          and shown also at nine other museums.
                                                              春秋   青銅鑄金三獸首環形飾
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