Page 41 - Christie's Leisurely Life May 29, 2019 Hong Kong
P. 41

2926
         A RARE BLUE AND WHITE MING ‘FIGURAL’
         TRIPOD CENSER
         MING DYNASTY, 15TH CENTURY
         The cylindrical censer is painted on the exterior with two groups
         of figures, one depicting an elderly man riding on a donkey,
         accompanied by an attendant holding a tree branch, the other
         showing a scholar riding on a horse followed an attendant with
         a carrying pole, divided by rocks and grassy mounds, all below a
         moulded band and a key-fret band, and raised on three cabriole
         legs painted with floral motifs. The underside of the base is
         unglazed except for the outermost ring.
         6 8 in. (17.5 cm.) diam., lacquer cover, Japanese wood box
         HK$700,000-900,000             US$90,000-120,000

         PROVENANCE
         Mayuyama & Co., Ltd.
         A Japanese private collection
         LITERATURE
         Mayuyama, Seventy Years, vol. I, Tokyo, 1976, p. 252, no. 760
         (fig. 1)
                                                                fig. 1  Mayuyama, Seventy Years, vol. I, Tokyo, 1976, p. 252
         A blue and white censer of this form and of comparable size,   எӬ  䂆ᯛ㫀ⱥ卿✄Ӭ㫀卿ែ՗卿     ჺ卿㮰
         depicting Daoist figures and dating to the Hongzhi period, is
         in the Palace Museum, Beijing, illustrated in The Complete
         Collection of Treasures of the Palace Museum, Blue and
         White Porcelain with Underglazed Red (II), Hong Kong, 2000,
         no. 43 (fig. 2). The same censer is also illustrated by Geng
         Baochang under the section of Hongzhi porcelain in Mingqing
         ciqi jianding, Beijing, 1993, p. 106, fig. 195, where he comments
         on the popularity of this type of censers in the later half of
         the 15th century. It is interesting to note that both the current
         censer and the Palace Museum example have very similar
         mouth rims decorated with keyfrets, and cabriole feet painted
         with floral motifs. The considerably free and fluid painting style
         seen on both censers is also strikingly similar.

         ᒞڊ̪ˡ☹   㤎⩈͂Ḷॲ┆ᷴ
         ϝᬝ
         ⦁ྒྷ䂆ᯛల
         ᚚទ☆՞Ⅷ⻦
         ⮐㙽
         Ƕ䂆ᯛ㫀ⱥǷ卿✄Ӭ㫀卿ែ՗卿     ჺ卿㮰    卿எ‸
         卻ވˏ卼
         ࢈՗ᘢ༈ࢷ⁒㩴⻦Ӭ։଍ᆨ⏟㘆⎏㬪ⱤⲪྒྷ㙣೥எ✢‐卿໸ჺ
         ᅺᯎ卿㇦ᘢ༈ࢷ⁒㩴⻦Ⅷ৅ݥ㫀Ƕ㬪Ɽ㞏ㅏ⡚卻ԋ卼Ƿ卿㲞ᳰ卿
             卿எ‸   卻ވ̕卼ǯ㊃։✢‐Ք㖊ᙻ⪐༾ᚸⶬǶᚺ᳖≢଍
         㦷໸Ƿ卿࢈՗卿    卿㮰    卿எ    卿ᝧԋᓽߪ厍Ǹ᫉㯸㙁௛
         ⎏‐ἃᎰࢇ߿ᇌᏒഅ㇦ǯ଍ம⫭⺧㵲㖔卿㞏㬷㬪⎊⫐ᷪ卿⡠㱈
         ⦤⡿᠏কǮ᳖ᜁ⋓ក卿㬪Ɽⰰ㊽ⰴ㿃Ԇᝳ᜔ᘶ卿଍೅჎⥾ྒྷ᭢
         ՞⁒எᜀǯǹ

                                                                   fig. 2  Collection of the Palace Museum, Beijing
                                                                          எՀ  ࢈՗ᘢ༈ࢷ⁒㩴⻦৅



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