Page 42 - September 21 2021 Important Japanese Art Christie's NYC
P. 42

PROPERTY FROM A PRINCELY COLLECTION
           20 SHIBATA ZESHIN (1807-1891)



               Landscapes, plants and animals
               of four seasons

               Each signed Zeshin, sealed Koma, Zeshin, Shin
               or Tairyukyo
               Twelve paintings for an accordion album;
               lacquer on paper or lacquer and gold leaf on
               paper
               7¬ x 6¬ in. (19.5 x 16.8 cm.) each approx.
               With a wood box authenticated by Umezawa
               Ryushin (1874-1952), the youngest of Zeshin's
               three sons, and by Ayaoka Yushin (1846-1910),
               one of Zeshin's students                    (12)

               $120,000-170,000



               PROVENANCE:
               Previously sold in these Rooms, 18 September 2015, lot 690
               Suzuki Toshiyuki (1838-1914), Tokyo



               Zeshin was a virtuoso technician: he developed the technique of   For  an  album  of  high  quality  with  eight  lacquer  paintings
               using lacquer as a painting medium which gives an impression   of circa 1880-90 of the same size on loan to the San Antonio
               of  richness  and  three-dimensionality.  Painting  with  lacquer,   Museum  of  Art  from  the  Edson  Collection,  see  The  Art  of
               a  viscous  and  sticky  substance,  was  extremely  difficult.  The   Shibata Zeshin Featuring the Edson Collection, ed. Nikkei (Tokyo:
               artist’s patience and skill in recreating delicate details is almost   Nikkei, Inc., 2009), no. E 53; and Sebastian Izzard, Zeshin: The
               unimaginable.                                          Catherine and Thomas Edson Collection (San Antonio: The San
                                                                      Antonio Museum of Art, 2007), pl. 46. Izzard speculates that
               These twelve lacquer paintings of landscapes, plant and animal
                                                                      the Edson album also was issued as an unbound set.
               studies are small masterpieces. They were issued as an unbound
               set for an album, and appear close in date, quality and style to   The  former  owner,  Suzuki  Toshiyuki  (1838-1914)  was  a
               the  album  with  lacquer  paintings  in  the  Imperial  Household   powerful banker in the Meiji period and one of the founding
               Collection,  purchased  in  1881  at  the  National  Industrial   members of the Imperial Bank of Commerce in 1894. He also
               Exposition  (see  Ann  Yonemura,  intro.,  Twelve  Centuries  of   served as committee member of the Japan Fine Arts Association
               Japanese Art from the Imperial Collections [Washington, DC: Freer   (Nihon Bijutsu Kyokai).
               Gallery of Art and Arthur M. Sackler Gallery, 1997], pl. 56).
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