Page 124 - Bonhams May 2017 London Fine Japanese Art
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191                                                                      preservation, the figures created in relief by silk and paper padding
A SILK EMBROIDERED WALL HANGING                                          pasted onto the background, the lower left signed in ink Sekka with a
Meiji era (1868-1912), late 19th/early 20th century                      seal; framed and glazed. Overall 57cm x 93.5cm (22½in x 36 7/8in),
Handwoven with different shades of green, brown and white silk thread    image 44.5cm x 81cm (17½in x 81 7/8in).
with six ducks on the banks of a river among daisies in the foreground,
framed by a grove of windswept bamboo, within a brown silk border        £1,500 - 2,000
woven with repeated stylized chrysanthemums and other flowers;           JPY210,000 - 280,000
unsigned. Overall 203.5cm x 144cm (80 1/8in x 56 11/16in),               US$1,900 - 2,500
image 175cm x 116cm (68 7/8in x 45 5/8In).

£1,000 - 1,500                                                           Oshi-e, also known as kiritori zaiku was a technique in which paper
JPY140,000 - 210,000                                                     or silk wadding is covered with dyed and painted silk or paper to
US$1,200 - 1,900                                                         create padded relief designs. Little is known of this technique, but it
                                                                         probably dates back to the Muromachi Period. In the Meiji era, oshi-e
192                                                                      was regarded as a feminine accomplishment alongside ikebana, tea
AN ORNAMENTAL PANEL                                                      ceremony and embroidery. Few recorded examples survive today
MADE IN THE OSHI-E (PADDED-SILK) TECHNIQUE                               but the genre were displayed in the ‘Fancy Articles’ section of the
The Painting by Sekka, Meiji era (1868-1912),                            Philadelphia Centennial Exhibition of 1876. 1
late 19th/early 20th century
A horizontal painting, ink, colour and kirihaku on silk, depicting the   Notes:
method of green-tea processing, consisting of women on the upper         1. Hiroko T. McDermot and Clare Pollard, Threads of Silk and Gold,
left corner plucking tea leaves from tea bushes, men transferring        Ornamental Textiles from Meiji Japan, Oxford, The Ashmolean
baskets of fresh tea leaves, some selling to a merchant, another         Museum, 2012, pp.178-183.
steaming leaves, others rubbing and a woman drying the leaves for

122 | BONHAMS       For details of the charges payable in addition to the final Hammer Price of each Lot
                    please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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