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232                                                                       In Vajrayana Buddhism, the Five Dhyani Buddhas represent the fve
A BRONZE FIGURE OF TATHAGATA RATNASAMBHAVA                                aspects of enlightenment: Vairocana (central) representing the dharma
                                                                          realm; Amoghasiddhi (north) representing perfect practice; Amitabha (west)
SWAT VALLEY, 10TH CENTURY                                                 representing observation; Akshobhya (east) representing refection; and
6Ω in. (16.5 cm.) high                                                    Ratnasambhava (south) representing equanimity. The present fgure can be
                                                                          identifed as Ratnasambhava by the pair of lions in his throne, which are his
$25,000-35,000                                                            mounts, by his jeweled tiara and by his gesture of giving (varadamudra).

PROVENANCE                                                                Located along the upper stream of the Indus River in the heartland of the
                                                                          Gandhara region, Swat Valley was on the crossroads between India and
Tokyo Collection, Japan, by 1981.                                         Central Asia, and received a constant fow of Buddhist pilgrims. The earlier
Tokyo Art Market.                                                         Gandhara style is still echoed in the art of Swat Valley, as visible in the present
Acquired by the current owner from the above in December 2015.            example. The parallel pleats of the tathagata’s robes and the composition of
                                                                          his lion throne can be traced back to Buddhist fgures from Gandhara. The
EXHIBITED                                                                 V-shaped pleats on his chest are associated with Kashmiri prototypes, as is
                                                                          the use of the bronze with a high silver or tin content. His face refects a Gupta
“Gilt Bronze Buddha from Classic Chinese and Central & Southeast Asia,”   idiom, with its rounded shape, small mouth and incised eyebrows. This fgure
Kuboso Memorial Museum of Arts, Izumi, 1988                               perfectly embodies the various infuences combined by Swat artists to such
                                                                          pleasing efect.
PUBLISHED

U. von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, p.97, fg.12D
Kuboso Memorial Museum of Arts, “Gilt bronze Buddha from Classic Chinese
and Central & Southeast Asia,” Izumi, 1988, no.84, p.95
Himalayan Art Resource (himalayanart.org), item no. 24310

斯瓦特縣地區 十世紀 寶生佛銅像

U. von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, p.97, fg.12D
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