Page 152 - Arts D'Asie June 20 2017 Christie's
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     IMPORTANTE STATUE D’UN
     BODHISATTVA EN SCHISTE GRIS
     ANCIENNE REGION DU GANDHARA,
     IIEME-IIIEME SIECLE

     Il est représenté debout dans un léger tribhanga.
     Paré de bijoux, il est vêtu d’un dhoti et d’une
     écharpe plissés. Son torse est nu, son visage
     méditatif et ses yeux mi-clos. Ses cheveux coifés
     en chignon sont ornés de colliers de perles.
     Hauteur : 78 cm. (30.2/4 in.) ; socle

     €70,000-90,000  $77,000-99,000
                     £60,000-76,000

     PROVENANCE

     Private English collection.
     Christie’s, Amsterdam, 12 April 1994, lot 11.
     With Zen Gallery, Brussels, 26 November 1994.
     Private Belgian collection.

     AN IMPORTANT GREY SCHIST FIGURE OF A
     BODHISATTVA
     ANCIENT GANDHARA REGION,
     2ND-3RD CENTURY

     健陀羅地區 二至三世紀 灰片岩菩薩身像

     來源:
     英國私人舊藏
     阿姆斯特丹佳士得,1994年4月12日,拍品11號
     1994年11月26日購自布魯塞爾古董商Zen Gallery
     比利時私人珍藏

     The present schist sculpture of a bodhisattva is of
     exceptional sculpting quality. It is likely he would
     have held a water vessel in the left hand, identifying
     him as the bodhisattva Maitreya. Maitreya is
     considered the Buddha of the future - when the
     dharma is forgotten on Earth, he will descend from
     the Tushita Heaven to be born in our realm as the
     next Buddha. His iconic water vessel, the kumbha,
     is found in many diferent contexts within Indian
     sculpture, but is almost always a symbol of fertility
     and life.

     When he is born on Earth, Maitreya will be of
     Brahmin stock. He is dressed, therefore, in the
     rich garb similar to that of the historical Gautama
     Buddha, prior to his renunciation of worldly goods.
     His vestments include a foliate collar and a rope-
     work necklace with a makara-head pendant. He
     is robed in the ankle-length dhoti, secured around
     the waist with a knotted rope. The heavier sanghati
     is open at the front to expose his muscular chest.
     Both display the naturalistic attention to drapery
     characteristic of the Gandharan period that is held
     over from the earlier Greco-Roman infuence in
     the region.

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