Page 208 - Chinese Works of Art Chritie's Mar. 22-23 2018
P. 208

PROPERTY FROM A DISTINGUISHED NEW YORK COLLECTION
                           917
                           AN EXTREMELY RARE PARCEL-GILT SILVER ‘PHEASANT’ BOX AND COVER
                           LIAO DYNASTY (AD 907-1125)
                           The bird is naturalistically modeled standing on a lotus-pod base with its head raised, and the surface
                           is fnely chased with plumage. The body is attached with thin, futtering wings and a long tail.
                           15Ω in. (39 cm.) long
                           $40,000-60,000

                           PROVENANCE
                           Mandela Fine Arts, Hong Kong, 1999.
                           Luxurious covered boxes made of gold and silver were popular during the Tang (AD 618-907) and Liao
                           (AD 907-1125) dynasties. Containing precious substances and objects, these boxes were highly treasured
                           and important status symbols. Most boxes from the Tang and Liao dynasties are of circular or square
                           forms, and the fully sculptural bird form of the present box is extremely rare, and no other example appears
                           to have been published. With its characteristic pointy wings and long tail feathers, the present box may
                           represent a Mongolian pheasant. The carefully applied parcel gilding suggests the warm glow of the
                           pheasant’s brown feathers. In China the pheasant is regarded as an emblem for beauty and good fortune,
                           and during the Ming (1368-1644) and Qing (1644-1911) dynasties, represented one of the Twelve Ancient
                           Symbols of Imperial Authority (huachong). Particularly noteworthy with the current box are the long
                           projecting wings that are attached to the body by delicate, thin pins, allowing them to “futter” with the
                           slightest breeze or movement, endowing the pheasant with a distinctive sense of animation.

                           The lotus pod design on the base of the present box can also be found on contemporaneous 10th century
                           ceramics, such as the Yue circular box and cover sold at Christie’s New York, 15 September 2009, lot 321.
                           The lotus was a particularly popular motif in the Chinese decorative arts, since it was associated with
                           Buddhism, harmony in marriage, and was also a symbol of beauty and purity. The seed pod symbolizes
                           fertility, and is associated with the birth of sons.
                           遼   局部鎏金銀雉雞蓋盒


































                                                        (another view)




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