Page 151 - Fine Japanese Netsuke, Sagemono, Oikimono April 29, 2019 Galerie Zacke
P. 151

185
                     A RARE AND LARGE WALRUS TUSK IVORY OJIME
                     DEPICTING A WOODCUTTER BY GYOKKO
                     "Y 'YOKKO  WALRUS TUSK IVORY OJIME
                           th
                     Japan, 19  CENTURY  %DO PERIOD
                     An unusually thick and large ojime made from marine
                     ivory, the natural milky-white inclusions brilliantly used
                     to depict the pine tree at the back. The wood cutter
                     is carved in shishiabori  SUNKEN RELIEF  AND IS DEPICTED
                     smiling, taking pleasure in his work. Signed GYOKU-KO
                      '9/++/   4HERE ARE SIX DIFFERENT CARVERS LISTED IN -#)
                     who signed Gyokko, however the carver is most likely
                     the one listed as no. 3, who made fine ivory manju.
                     (%)'(4     #-  7)$4(     #-

                     Condition: Excellent condition
                     Provenance: French private collection
                                                                                two views
                     Estimate EUR 800,-
                     Starting price EUR 400,-









 184
 A RARE AND EXCELLENT ASAKUSA SCHOOL MARINE IVORY MANJU
 NETSUKE WITH CRAB PEONY AND BATS
 Unsigned, marine ivory netsuke
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 Japan, Asakusa, mid to late 19  century
 Carved from a flawless piece of marine ivory in the shape of a cushion with
 a fine carving of a crab peony, with visible eyes, in high relief on a floral-
 patterned ground. The leaves of the peony show the legs of the crustacean
 with the two pincers at the top, and the actual flower shoes the body and
 mouth, as if it was smiling. The sides are open-worked and decorated with
 a cross-etched pattern typical for the Asakusa school in Tokyo, founded by
 Ozaki Kokusai. The reverse with fine floral himotoshi and two lotus flowers   two views
 in the shape of stylized bats.

 HEIGHT 4 CM         186
                     A FINE MARINE IVORY RYUSA MANJU NETSUKE DEPICTING   attractively stippled surface. Typical irregular himotoshi and the
 Condition: Excellent condition  ONA NO TOFU BY SUZUKI TOKOKU (1836 – 1931)  signature TOKOKU on an inlaid silver tablet. The material almost
 Provenance: German private collection  "Y 4OKOKU  MARINE IVORY ryusa manju netsuke   looks like ivory, however the sides reveal characteristic inclusions
                                        th
                     Japan, Asakusa, mid to late 19  century      typical for marine ivory.
 Estimate EUR 1.500,-
 Starting price EUR 750,-  An early work by the artist who started out in the Asakusa school,   $)!-%4%2   #-  7)$4(     #-
                     founded by Ozaki Kokusai, and is probably best known for his later
                     mixed-material carvings which are unparalleled in their quality and   Condition: Good condition, the separately carved central medallion
                     style. However, he also made very good ryusa manju when he was   has come a little bit loose at the top, and very minor cracks to the
                     still active in the Asakusa school, though they are rarely found at   openworked section on the side
                     auction. This ryusa manju, openworked on the sides depicting finely   Provenance: European private collection
                     carved magnolia blossoms, shows Ona no Tofu on the separately
                     carved inset medallion. He is depicted underneath a tree wearing   Estimate EUR 1.500,-
                     courtly robes, an eboshi and holding a fan. The reverse with further   Starting price EUR 750,-
                     blossoming magnolia amongst clouds carved in relief above an




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