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189.  Ritual bronze food vessel li
 Early to Middle Western Zhou dynasty, circa 10  century bc.
 th
 西周早中期青銅鬲
 Height: 15.8 cm


 An archaic bronze food vessel li with a body composed   Provenance:
 of three bulbous, elephant-head-like tapering legs which     ▪ Armand Trampitsch Collection.
 merge at their upper sides and are topped and conjoined     ▪ Sze Yuan Tang Collection, (Anthony Hardy Collection),
 by a low, flat neck that gradually extends outwards to end   Hong Kong.
 in a wide, overhanging upper rim that is surmounted on     ▪ Christie’s, New York, 16  September, 2010.
 th
 two of its sides by a wide, arched, portal-like handle.  Each     ▪ Roger Keverne, London, U.K.
 of the three sections of the vessel’s body is decorated with
 a very simple  motif  composed  of deeply  cast, almond-  Exhibited:
 shaped  eyes  surmounted simply, but attractively,     ▪ Ancient  Chinese  and  Ordos  Bronzes,  Hong  Kong
 by  flappy  C-shaped  inwardly  curling  ears.  A  narrow,   Museum of Art, Hong Kong 1990, catalogue no. 30.
 bordered frieze of three pairs of protruding, rectangular     ▪ The Glorious Traditions of  Ancient  Bronzes, Asian
 eye-shaped bosses, with each pair separated by a vertical   Civilizations  Museum, Singapore 2000,  catalogue
 flange, encircles the lower half of the vessel’s neck.  no. 27.
   ▪ Metal,  Wood, Water, Fire  and Earth, Hong  Kong
 Some prominent mold marks are visible on the vessel’s   Museum of Art, 2002 - 2005, Hong Kong 2004.
 stomach.
   ▪ The Sze Yuan Tang Archaic Bronzes from the Anthony
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 The vessel  has a black and green patina with areas of   Hardy Collection, Christie’s, New York, 16  September,
 cuprite incrustations.  2010, catalogue no. 839.
   ▪ Summer Exhibition 2011,  Roger Keverne, London,
 catalogue no. 4.
   ▪ Trésors de la Chine ancienne, Bronzes Rituels De La
 Collection  Meiyintang,  Musée  des  arts asiatiques
 Guimet, Paris 13 mars  -  10 juin 2013, catalogue no. 58.
 Published:
   ▪ Rawson J. & Bunker  E., Ancient Chinese  and  Ordos
 Bronzes, Oriental Ceramic Society  of Hong Kong,
 Hong Kong 1990, p. 118 -119, no. 30.
   ▪ Li Xueqin, The Glorious Traditions of Chinese Bronzes,
 Singapore 2000, no. 27. 李學勤《中國青銅器萃賞》新
 加坡 2000年版 27號.
   ▪ Chen Wangheng, Chinese Bronzes: Ferocious Beauty,
 Hong Kong 2000, pl. iii, no. 18a. 陳望衡《獰厲之美: 中
 國青銅藝術》 香港 2000年版, 圖iii, 18a號.
   ▪ Christie’s,  The  Sze  Yuan Tang  Archaic Bronzes
 from  the Anthony Hardy Collection, New  York,  16
 th
 September, 2010, catalogue no. 839.
   ▪ Keverne  R.,  Summer Exhibition 2011,  London  2011,
 no. 4.
   ▪ The Hong Kong Museum of Art: Metal, Wood, Water,
 Fire and Earth, 2002  -  2005, Hong Kong 2004.
   ▪ Guimet,  Musée  des  arts asiatiques,  Trésors  de la
 Chine ancienne,  Bronzes  Rituels  De La Collection
 Meiyintang, Paris 2013, p. 99, no. 58.

 Similar examples:
   ▪ A similar  li  vessel  excavated  at Liulihe, Fangshan
 district, Beijing, is illustrated by Yao Pinlu and Wang
 Yusheng, Album of Select Archaeological Findings: To
 the 40  Anniversary of the Founding of the Institute
 th
 of Archaeology, Chinese Academy of Social Sciences,
 Beijing 1995, p. 198, no. 1.
   ▪ Rawson J.,  Western Zhou  Ritual Bronzes from the
 Arthur M. Sackler Collections,  Washington 1990,
 p. 316 -  319, no. 26.

















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