Page 194 - Bonhams NYC Indian and Himalayan Art March 2019
P. 194

945
           A SILVER INLAID COPPER ALLOY FIGURE OF MANJUSHRI
           TIBET, CIRCA 12TH/13TH CENTURY
           Himalayan Art Resources item no.68323
           5 1/2 in. (14 cm) high
           $60,000 - 80,000

           西藏 約十二/十三世紀 銅錯銀文殊菩薩像

           This handsome portrait of Manjushri, the Bodhisattva of Perfected Wisdom, has eyes and
           an urna of inlaid silver, emphasizing his enlightened mind. With his left hand he raises the
           bound pages of the Prajnaparamita Sutra before his chest, and with his right he wields aloft
           the wisdom sword, which cuts through ignorance. The mirrored symmetry of the flailing
           ends of his scarf adds movement to Manjushri’s heroic pose. His belt is decorated with
           lotus flowers, a symbol of Buddhism’s purity and wisdom. Manjushri’s legs are crossed
           nimbly in the diamond pose (vajrasana) and his flexed body is supple and youthful.

           Manjushri is one of the most important and popularly invoked Bodhissatvas in Mahayana
           and Vajarayana Buddhism. As discussed by Debreczeny, the origins of Tibetan astrology
           are said to originate from teachings Manjushri gave while dwelling on the five peaks of
           China’s sacred mountain Wutaishan.

           This bronze’s physiognomy, jewelry, and lotus base are closely informed by the 11th-12th
           century Pala art of Northeastern India, known to have formed a basis for early Tibetan
           sculpture. A closely related bronze of Manjushri of the same style and period is held in the
           Tibet House Museum, New Delhi (HAR 71907).

           Published
           Karl Debreczeny, “Wutai Shan: Pilgrimage to Five-Peak Mountain”, in Journal of the
           International Association of Tibetan Studies, no.6, December 2011, p.86, cat.42.

           Exhibited
           Wutai Shan: Pilgrimage to Five-Peak Mountain, Rubin Museum of Art, New York, 10 May -
           16 October 2007.

           Provenance
           The Nyingjei Lam Collection
           On loan to the Rubin Museum of Art, New York, 2005-2019





















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