Page 231 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
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CHAPTER  6  A  New  Context  of  Porcelain  Trade  1760-1770


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                        of the quay.   In 1760, many of these outside merchants were required to move to

                        China Street so that that they could be monitored more closely. The by-product of this

                        regulation  was  the  gradual  emergence  of  a  very  tight  community,  where  Chinese


                        merchants,  officials  and  foreign  traders  all  lived  together  in  the  same  location.

                        Foreigners could find anything they wanted on China Street or Hog Lane without

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                        having to wander about the western suburbs, as they had done in the past.

                            Dalrymple, who was in Canton in 1760, witnessed the changes that took place in

                        trade that year. He mentioned that all the licensed shopkeepers were moved to ‘One


                        single street, which was separated by a gate from the rest of Canton, only open to the

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                        Wharf, on the banks of the River, where the European Factories are situated.   The

                        street later was known as ‘China Street’ or ‘New China Street’.

                            From 1760 onwards, the factory and the two streets were usually depicted on


                        paintings and porcelain. The scene of Hongs and factory was usually depicted on a

                        big bowl, as called ‘Hong Bowl’. A large bowl of this kind would have been used to


                        serve punch, which gives such bowl another name ‘punch bowl’. Hong bowls of this

                        kind  have been used  for the historical  discussion of Hong merchants’  residences,

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                        which  provide  supplementary  information  for  the  map  and  textual  records.

                        Decorated in over-glaze enamels and gold gilding, the bowls that Figure 6-2 shows





                        44   Paul A. Van Dyke, ‘The Shopping Streets in the Foreign Quarter at Canton 1760-1843’ Revista
                        de Cultura 43 (2013), p.93. This article was later published as a chapter in Paul A. Van Dyke,
                        Maria Kar-wing Mok, Images of the Canton Factories 1760–1822: Reading History in Art (Hong
                        Kong:  Hong  Kong University  Press, 2015),  Chapter 9, pp.83-101.  Lisa  Hellman  in  her Ph.D
                        research, has featured Canton as a social space which created social connections among different
                        European East India Companies. Lisa Hellman, Navigating the foreign quarters: everyday life of
                        the Swedish East India Company employees in Canton and Macao 1730-1830 (Stockholm, 2015),
                        pp.108-103.
                        45   Van Dyke, Mok, Images of the Canton Factories, p.2.
                        46   Van Dyke, ‘The Shopping Streets ‘, p.93.
                        47   Kee Il Choi Jr., ‘Hong Bowls and the Landscape of the China Trade’ The Magazine Antiques,
                        156, 4(1999), pp.500-509.Van Dyke, Mok, Images of the Canton Factories, Chapter 1.
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