Page 257 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 257

CHAPTER  7  Porcelain  Dealers  and  their  Role  in  Trade


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                        used  by  historians  to  explore  the  urban  development  of  Canton.   Through  my

                        examination  of  surviving  sources  on  Chinese  export  porcelain  trade,  there  has

                        emerged a group of paintings on the porcelain trade. The name of the porcelain shops


                        appears on many paintings. By examining the paintings of Canton port city, scholars

                        placed more emphasis on the scale of general trade, and often neglected those visual

                        sources that demonstrate the trade of certain type  of goods, such as paintings and


                        watercolours on porcelain production and trade.

                            In order to analyse the porcelain trade, this research will look at paintings of the


                        porcelain trade, paying particular attention to these shops. Appendix C presents eight

                        sets of painting which contains porcelain shops at Canton, a sequence which includes


                        most of those I have been able to find, and is the result of extensive research. There

                        are also sets of paintings containing porcelain shops, but these were not located in


                        Canton, but most probably in Jingdezhen, based on the subjects of paintings being on

                        porcelain production and sale in Jingdezhen. Since this chapter has a particular focus


                        on Canton’s trade development, I only show examples of Canton porcelain shops. In

                        many cases, they languish forgotten in reserve collections, often un-catalogued, and

                        rarely if ever displayed to the public. I have contacted and consulted with museum


                        and  library  collections,  as  well  as  auction  houses  and  galleries.  As  far  I  have

                        researched, at least 30 sets of those paintings have survived in albums or wallpapers











                        14   A good source of export painting on port city can be found in Carl L. Crossman, The Decorative
                        Arts  of  The  China  Trade:  Paintings,  Furnishings  and  Exotic  curiosities  (Suffolk:  Antique
                        Collectors' Club, 1991), pp.410-420. See also, Andrew Lo, Song Jiayu, Wang Tzi-Cheng and
                        Frances  Wood,  (eds.),  Chinese  Export  Paintings  of  the  Qing  Period  in  The  British  Library
                        (Chinese and English bilingual edition), 8 volumes, (Guangzhou: Guandong renmin chubanshe,
                        2011).
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