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aturalistic and realistic qualities in Buddhist sculpture were particularly sought-after
                                            during the Song dynasty. The ‘dry lacquer’ technique, as seen on the present head,  lends
                                Nitself to expressive sculpture, and was capable of producing religious sculpture with
                                 unprecedented levels of realism that no other material or technique could evoke.

                                 The dry lacquer process involved first sculpting the figure in clay over a stick-like wooden model. Patches
                                 of lacquered hemp were then pasted onto the clay. These were then covered with further lacquer layers,
                                 which could be sculpted in greater detail and carved to give expressive qualities. Finally the surface was
                                 painted in polychrome pigments. Once completed, the original construction of wood and clay were
                                 hollowed out and removed, leaving only the fragile skin of hemp and lacquer. The number of extant Song
                                 dynasty religious images made in this complex and sophisticated technique is relatively low, largely due
                                 to the time-consuming and demanding production process as well the vulnerability of material.


                                 Compare a related dry lacquer head of a luohan in the Museum of Fine Arts, Boston, formerly in the
                                 collection of Charles B. Hoyt, included in the exhibition The Charles B. Hoyt Collection. Memorial
                                 Exhibition, Museum of Fine Arts, Boston, 1952, cat. no. 533. A slightly later head, attributed to the Liao
                                 - Jin period, in the Nelson Atkins Museum, Kansas, is illustrated in Laurence Sickman and Alexander
                                 Soper, The Art and Architecture of China, Baltimore, 1960, pl. 82.




                                 ᄘᄓ䷕ᵩ͸҈׼喑ౕႸАᅑऄ₎䓻ȡ᱙׼᝭⩕͸๫㉢                 ℁䐰̭㒲⑏仃׼喑⤫ႅ᫩∏ธ䵀㒻㶀ࢇ➖乕喑ܧ㜗
                                 Ϋ␳ጒ㬊喑㜴䕍׼␬ჹ㶕⤫߈͸䷕ᵩ⍫♣२व喑᝭᜽                 Charles  B   Hoyt  ᩣ㫼喑ᰫᆂ᫩ȨThe  Charles  B
                                 Ⴤ᪆䕍ಸ͸ᄘᄓᏓ喑ڣЃᱽ䈗ࣷ᝸∂䰐ࣷȡ                     Hoyt  Collection   Memorial  Exhibitionȩ喑∏ธ
                                                                         䵀㒻㶀ࢇ➖乕喑1952Ꭱ喑㌕㮌533ȡओ℁̭Ҹ喑᫤
                                 Ϋ␳๫㉢䊤໸В᱕ᴞ◧㩷喑−ൾ҉὎喑䇩㭥␳叨ጰВ
                                                                         А䖩㜠䛾喑⤫ႅ᫩ൗ㫖᫜㈺❫䖉 䭬➦䛾᫜㬊㶀ࢇ
                                 ◧㗻ȡᓖ᫪䛺␳喑ጔጒ㇫䰂喑᪤ᒖ⌨㞟喑ᰭᒹޟ䪸㗹
                                                                         ➖乕喑ృ䐶᫩  Laurence  Sickman  ࣷ  Alexander
                                 䲏ःܧ᱕㩷−ಜ喑ग久㪱叨␳ᆑ喑㙘㗻᜽׼ȡₑ∂ጒ
                                                                         Soper喑ȨThe Art and Architecture of Chinaȩ喑
                                 ∂㍮㸴喑㸪҉㞞䝲喑๔䇨ক」喑ߍ̷Ϋ␳㏃ጔ喑ᭀ᫩
                                                                         ጡ❫⮱ᦖ喑1960Ꭱ喑ృ❵82ȡ

                                 ᤺ซ喑ᩲₑ⤫ႅႸАჄ᪆๫㉢Ϋ␳䕍׼⩇◧僛㺸ȡ









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