Page 14 - Bonhams IMages of Devotion, Hong Kong Nov 30 2022
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1003
           A COPPER ALLOY FIGURE OF SHIVA
           JAVA, 8TH/9TH CENTURY
           Inventory number in white paint at the back of the base 1966/170.
           16.8 cm (6 5/8 in.) high

           HKD60,000 - 80,000
           爪哇 八/九世紀 濕婆銅像

           As the Supreme God, Shiva as Mahadeva stands in the classic hierarchic pose
           with four arms holding a trident, a holy water kendi-like vessel, a rosary, and
           fly whisk. Beneath the jewels, incised floral dhoti, and crown with a tall coiled
           jatamukuta adorned with a crescent moon and sun, is the supple and slender
           body of the god. By his feet sits his vehicle, a diminutive form of the sacred bull
           Nandi.

           As with other examples from the earlier Central Javanese period (7th-10th
           centuries), the jeweled waistband (udarabandha) here appears closer to the navel
           than in examples from the later Eastern Javanese period (10th-16th centuries).
           This feature is one of the more prominent stylistic elements of the South Indian
           Pallava style (7th-9th centuries) to have influenced artists in Java and is emphatic
           of the cultural exchange between these two regions. This piece is also linked
           through similar modes of representation to Cham and Yunnan sculpture. For a
           detailed discussion, see John Guy, “The Avalokiteshvara of Yunnan and Some
           South East Asian Connections”, in Rosemary Scott & John Guy (ed.), South East
           Asia & China: Art Interaction & Commerce, Colloquies on Art & Archaeology in
           Asia, London, 1995, pp. 78-9, no. 17.

           The present piece compares favourably with related examples in the Metropolitan
           Museum of Art, formerly in the Samuel Eilenberg Collection, see Lerner and
           Kossak, The Lotus Transcendent, New York, 1991, pp. 32-5, nos. 130-9 and
           another in the Richard Bull Collection, see Bull, “The Metamorphosis of One
           Collector”, Expedition Magazine, University of Pennsylvania, 1965, p. 45.

           Provenance
           The Tuyet Nguyet and Stephen Markbreiter Collection
























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