Page 92 - Bonhams IMages of Devotion, Hong Kong Nov 30 2022
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           A CARVED WOODBLOCK FOR PRINTING THE                The Mongolian Kanjur is a canonical text of teachings attributed to
           MONGOLIAN KANJUR                                   Buddha Shakyamuni. This exquisitely carved woodblock is likely
           QING, CIRCA 1720                                   from an imperial set commissioned by the Kangxi Emperor (r.1661-
           With identifying Mongolian and Manchu inscriptions flanking each deity,  1722), completed around 1720. The entire set consists of 40,952
           and a Chinese inscription on the left, reading, ‘秘密經第二十三卷下一   woodblocks, nearly half of which are preserved in the Palace Museum,
           (mimijing di ershisan juan xiayi)’, translated, ‘tantra volume 23, second   Beijing. Six others appeared in the Paris art market in 2011 (Sotheby’s,
           part, no.1.’                                       Paris, 15 December 2011, lot 104), one of which, dedicated to
           Himalayan Art Resources item no. 4721              ‘tantra volume 3’, compares closely with the current lot in style and
           17 x 59 cm (7 3/4 x 23 1/4 in.)                    composition.

           HKD150,000 - 250,000                               The present work features reverse images of five tantric deities,
                                                              consisting of the semi-wrathful Shiva holding a trident and a bowl of
           清 約1720年 蒙文《甘珠爾》雕版印經板                              wish-fulling gems (cintamani), a two-armed Mahakala brandishing a
                                                              sword, a second Mahakala holding a visvavajra and a ghanta, and
                                                              dual images of Palden Lhamo riding her mule through a sea of blood.
                                                              Each deity is set against a busy background of flames or clouds,
                                                              framed within a stylized torana. The complex arrangement is achieved
                                                              with thin and fluid lines, demonstrating the carver’s virtuosity fit for the
                                                              imperial patron.




















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