Page 13 - Symbols_of_Identity_Korean_Ceramics_from the Chang Collection
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These two pieces, loaned by Dr. Chester and Mrs. Wanda Chang, are currently on display in the Smithsonian National Museum of Natural
               History’s Korea Gallery. The Joseon period porcelain jar (left) and Goreyo period bronze mirror (right) are featured in a historical timeline
               of Korean history. For a full guide to the exhibition and objects on display see Taylor and Lotis (2008).                              (Photos by Chip Clark)


               history, and these traditions are prevalent in Korean  earliest periods of Korean history to the modern day.
               folk art, being incorporated with Buddhist, Daoist, and  The ceramics that were passed down to him from his
               Confucian motifs.                                  family also include Chinese and Japanese ceramics of
                                                                  various time periods.
               The identity of an individual may also be personified
               in his or her collection. In describing why he enjoys  Chang’s collection has been loaned for exhibit and/or
               collecting, Chester Chang explains, “I collect and share,  gifted to institutions worldwide. He estimates a total of
               therefore I am” (pers. comm.). Chang’s enthusiasm and  five hundred pieces have been donated over the years,
               love of art are contagious and his ability to share his  including pieces to the Los Angeles County Museum
               collection with others is very important to him. His  of Art, the University of Hawaii’s Center for Korean
               collection includes all types of Asian art including works  Studies, the Kyungwoon Museum’s Kyunggi Girls
               from China, Japan, and  Vietnam, but his  strongest  School, the University of Southern California’s Korean
               connection is to the work from his native land. Pearce  Studies Institute and School of Social Work, and single
               submits that, “we are all symbols of ourselves, and  items to the Korean National Museum, the Honolulu
               objects which, in so many ways, are our alter egos are  Academy of Art, and the Korea Foundation.
               equally  symbols  of  themselves.  Collecting  becomes
               a simple, effective way of merging these symbols into  Chang and his wife began actively donating during
               broader and deeper meaning” (1998, 184).           the 2003 Korean American Centennial celebration.
                                                                  This was a particularly important occasion to them
               Dr. Chester and Mrs. Wanda Chang’s collection of  and millions of Korean Americans, as it marked the
               Korean  art  and  artifacts  is  unique  and  expansive,  anniversary of the first Korean immigrants to arrive
               encompassing ceramics, paintings, lacquerware, stone  in Hawaii in 1903. In 2007, Chang loaned two pieces
               carvings, bronze pieces, woodcarvings, and furniture.  for display at the Smithsonian’s National Museum
               Chang estimates that the collection includes roughly  of Natural History. These pieces, a Goryeo period
               1,000 pieces, not counting old books, currency,  bronze mirror and a Joseon period porcelain jar with
               and other smaller items such as court ornaments. It  auspicious symbols, became a part of the Smithsonian’s
               extends across time periods and dynasties, from the  Korea Gallery exhibition.




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