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The Korean ceramics featured in this catalogue span from the unglazed earthenware of the earliest kingdoms
(Three Kingdoms/Unified Silla), to the elegant celadon and stoneware pottery of the Goryeo dynasty, to the
graceful porcelains and buncheong ware of the Joseon dynasty. As cultural artifacts, they symbolize the spirit of
the times in which they were created. As part of a modern private collection, they are a meaningful reflection
of self identity. As a Korean American, Chester Chang has a passionate connection to his collection of Korean
art and artifacts. The ceramics in this catalogue are a composite of his acquisitions over the years as well as
those passed down from his family. In describing why he enjoys collecting, Chang explains, “I collect and
share, therefore I am.”
The celadon cup pictured above and on the front cover, with scenes of waterfowl swimming among reeds and
willow trees (see page 39 for full description), is from the Goryeo period (918–1392).
Christopher Lotis, a writer, researcher, and museum specialist, is a former director of publications for the
Smithsonian Asian Cultural History Program. Michel D. Lee is the curator and director of the Museum of
East Asian Art in Bath, United Kingdom.
