Page 94 - 2020 November 30 Bonhams Rev. Richard Fabian Chinese Paintings and Calligraphy Hong Kong
P. 94

619
                 WU CHANGSHUO (1844-1927)
                 Calligraphy in Stone Drum Script, 1911
                 Set of four hanging scrolls, ink on paper, inscribed and signed by the
                 artist Wu Junqing, dated Xuantong hai nian (1911), with a dedication
                 to Xunzhai, and six artist’s seals reading Junqing dali, Changshuo, and
                 Kutie jinkuang four times.
                 136 x 33.5cm (53½ x 13¼in) each (4)
                 HKD300,000 - 500,000
                 US$39,000 - 65,000
                 Published
                 Andrews, Julia Frances, Michael Knight, and Pauline Yao, Between
                 the Thunder and the Rain: Chinese Paintings from the Opium War
                 Through the Cultural Revolution, 1840-1979, San Francisco: Echo
                 Rock Ventures, in association with the Asian Art Museum Chong-
                 Moon Lee Center for Asian Art and Culture, 2000, p.156

                 Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes:
                 19th-20th Century Chinese Paintings and Calligraphy from the Richard
                 Fabian Collection, Honolulu Museum of Art, 2007, pp.316-317

                 Reynolds, Christopher L. L., and Craig L. Yee, Bitter Iron and Old
                 Stone: The Flower and Landscape Paintings of Wu Changshi, Beijing:
                 Liangyou Huayisuo, 2011, cat. no. 1

                 Exhibited
                 Between the Thunder and the Rain, Asian Art Museum Chong-Moon
                 Lee Center for Asian Art and Culture, San Francisco, CA, October 25,
                 2000-January 14, 2001

                 New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI,
                 August 30-October 28, 2007

                 Provenance
                 Far East Fine Arts, San Francisco, California, 9 December 1988

                 吳昌碩 篆書〈獵碣〉二、三鼓 水墨紙本 立軸四屏
                 一九一一年作

                 款識:
                 (詳文不錄)愻齋如棣屬,臨〈獵碣〉乙丙二鼓。
                 宣統亥年(1911),吳俊卿。

                 鈐印:俊卿大利、昌碩、苦鐵近況(四鈐)

                 出版:
                 Andrews, Julia Frances, Michael Knight, Pauline Yao,《風雲際會:從
                 鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物
                 館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁156

                 Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲牧師珍藏十九
                 及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁
                 316-317

                 Reynolds, Christopher L. L., 及余國梁,《老缶吳昌碩——花枝苦鐵山
                 水映蒼石》,良友華藝所,北京,2011年,圖錄編號1

                 展覽:
                 《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,
                 亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14
                 日

                 《古調新歌:費立哲牧師珍藏十九及二十世紀中國書畫》,檀香山藝
                 術博物館,夏威夷,2007年8月30日至10月28日

                 來源:
                 1988年12月9日購自美國加州舊金山遠東藝術中心

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