Page 15 - Wrathful Images
P. 15

Given the Yongle and Xuande Emperors’ espousal of Buddhism, significant works of art such as the present
                                                                                                                                            bronzes were cast within the imperial court of Beijing. These two figures owned by the Bodhimanda
                                                                                                                                            Foundation were likely to have been created for Tibetan Buddhist monasteries along the Sino-Tibetan
                                                                                                                                            border (Tib. Drotsang Dorje Chang; see “Qutan Monastery”, Project Himalayan Art, projecthimalayanart.
                                                                                                                                            rubinmuseum.org/essays/qutan-monastery-drotsang-dorje-chang) in the northwestern region (present-
                                                                                                                                            day Qinghai province), which received continued support from the Ming court. A mural of Panjarnata in
                                                                                                                                            the aforementioned monastery is strikingly similar to the 15th-century Tibetan painting cited previously
                                                                                                                                            (fig. 3). In addition to being an act that would produce good karma (Tib. le-kyi-dre), the commissioning of
                                                                                                                                            such impressive bronzes for a site like this served as an element of political strategy.

                                                                                                                                            Today the majority of Ming Imperial bronzes can only be found only in museums or important Tibetan
                                                                                                                                            monasteries that were patronized by Yongle and Xuande emperors—as well as later Ming emperors.
                                                                                                                                            Moreover, the exceptional size of these bronze figures downplay the size of nearly all those that have come
                                                                                                                                            to market in the past two decades. The Xuande mark and period Panjarnata Mahakala is by far the largest
                                                                                                                                            early Ming reign-marked bronze in private hands, measuring 74 cm. high, outranked only by two Yongle
                                                                                                                                            bodhisattvas, one at Qinghai Provincial Museum, the other at the Cernuschi Museum in Paris.

                                                                                                                                            This is worthy of comparison to the well-known bronze figures of a Xuande-reign-mark Shakyamuni Buddha
                                                                                                                                            (acc. no., M.C. 686) and a Yongle-reign-mark bodhisattva (acc. no, M.C. 5173) in the Musée Cernuschi . The
                                                                                                                                            Yongle-period Kapaladhara Hevjra is of truly exceptional size and quality as well, with nothing comparable in
                                                                                                                                            height published in any monastic or museum collection.




















                                                                                         Opposite:
                                                                                         Left: Fig. 2: “Mahakala and
                                                                                         Companions”, Central Tibet
                                                                                         (Sakyapa Monastery), 15th
                                                                                         century, 32⅝ x 28⅜ in.,
                                                                                         83 x 72 cm, Private Collection.
                                                                                         Opposite:
                                                                                         Right: Fig. 3: Panjarnata
                                                                                         Mahakala, south wall, west
                                                                                         door wall, Qutandian, Qutansi
                                                                                         monastery, Qinghai Province.
                                                                                         對頁:
                                                                                         左: 圖二:大黑天,藏中(薩迦
                                                                                         寺),十五世紀,83 × 72公分,
                                                                                         私人收藏
                                                                                         對頁:
                                                                                         右: 圖三:寶帳大黑天,青海省,
                                                                                         瞿曇寺,瞿曇殿南牆、西門牆











           24      SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N11409                                                                                                                                           25
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