Page 260 - Important Chinese Art Hong Kong April 2, 2019 Sotheby's
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3677

           A RARE AND EXQUISITE LAC-BURGAUTÉ BOX     清雍正    黑漆嵌螺鈿雙喬圖套盒
           AND COVER
           QING DYNASTY, YONGZHENG PERIOD
           of square section, intricately and richly decorated in mother-
           of-pearl inlay, gold and silver foil, the cover depicting an
           idyllic scene of two ladies seated beneath a willow tree, one
           playing the flute while the other clapping to the rhythm with
           two boys beside, set in a landscape with cragged rockwork
           and leafy shrubs, all encircled by a cellular border, the sides
           of the box and cover decorated with ball flowers scattered
           against a speckled ground, the box opening to reveal four
           smaller boxes, each variously adorned with birds and insects
           flying amidst floral and fruiting branches of lily, hibiscus,
           melon and finger citrons, the sides similarly decorated with
           ball flowers reserved against a black ground, the interiors
           and bases covered in a speckled ground of variegated gold
           and copper tone
           9 cm, 3½ in.
         ◉  HK$ 500,000-700,000
           US$ 64,000-89,500







           This elegant box is remarkable for its exquisitely executed
           motif of a lady playing the flute in the laborious technique
           of mother-of-pearl inlay. The intense iridescence of the
           abalone shell (haliotis) and the bright gold and silver foils
           have been masterfully combined to create a highly vibrant
           and dynamic composition. The box was clearly influenced
           by Japanese lacquerware in both technique and subject
           matter; the nashiji ground, where gold flakes are sprinkled
           onto the black surface, was commonly used in Japan, and
           the pattern of roundels also appears to have its origins in
           Japanese designs. The Yongzheng Emperor had a penchant
           for Japanese lacquer that incorporated gold and silver, and
           is recorded to have commissioned reproductions of these
           wares.
           Two tiered and lobed boxes of this type, decorated with
           boys playing in a garden, in the Palace Museum, Beijing,
           are illustrated in Zhongguo qiqi quanji [Complete series
           on Chinese lacquer], vol. 6, Fuzhou, 1993, pls 171 and 172,
           together with a circular box, also in the Palace Museum,
           Beijing, pl. 166.


















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