Page 302 - Important Chinese Art Hong Kong April 2, 2019 Sotheby's
P. 302

The episode of the auspicious butterfly is recorded in many
                                                                      Qing records. In the winter of the 53rd year of the Qianlong
                                                                      reign (1788), the Qianlong Emperor was presented with
                                                                      a brocaded box during his stay in the Taichang Temple.
                                                                      The box opened to reveal a butterfly, and at the sight of
                                                                      the Emperor, it leapt in flight in continuous upward and
                                                                      downward movement, as if bowing to the Emperor nine
                                                                      times. In ecstasy and awe, the Emperor composed an
                                                                      imperial poem which was later carved into a stele to be
                                                                      preserved in the Taichang Temple. In his birthday in the
                                                                      following year, the Emperor even ordered for rubbings of the
                                                                      stele to be gifted to his high officials; the present handscroll
                                                                      is one of such examples.
                                                                      The mounting of the present handscroll with its zitan box
                                                                      is an archetypal example of packaging art in the Qing
                                                                      court. See a handscroll of Arguments of Emperor Qianlong
                                                                      against the Record of the Chao Ran Observatory by Su Shi,
                                                                      similarly mounted with a kesi panel on the exterior and
                                                                      stored in a zitan scroll box, exhibited in the National Palace
                                                                      Museum, Taipei, exhibition Story of a Brand Name. The
                                                                      Collection and Packaging Aesthetics of Emperor Qianlong
                                                                      in the Eighteenth Century, Taipei, 2017, cat. no. IV-16. The
                                                                      author of the catalogue notes that kesi panels decorated
                                                                      with a mythical deer below multi-coloured ruyi clouds are
                                                                      characteristic packaging for imperial calligraphic works and
                                                                      imperial poems during the latter part of the Qianlong reign.
                                                                      The Qianlong Emperor favoured the use of these simple and
                                                                      elegant wooden boxes to preserve his poems and essays.
                                                                      Another zitan scroll box, made to preserve the Qianlong
                                                                      Emperor’s essays on his military achievements, is included in
                                                                      the exhibition Qing Legacies: The Sumptuous Art of Imperial
                                                                      Packaging, Macau Museum of Art, Macau, 2000, cat. no.
                                                                      4. Another closely related box, destined to hold a Qianlong
                                                                      version of Zhang Zeduan’s Qingming Shanghe tu (Ascending
                                                                      the River at the Qingming Festival), was sold in these rooms
                                                                      on 23rd October 2005, lot 391 and again on 8th April 2010,
                                                                      lot 1825.
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