Page 96 - Important Chinese Art Hong Kong April 2, 2019 Sotheby's
P. 96

This ewer is remarkable for the fine level of craftsmanship
                   evident in the exquisitely carved details of the vessel,
                   ranging from the low-relief archaistic decoration on the
                   body to the ornately modelled ‘dragon’ handle and ringed
                   ‘phoenix’ spout. The interior and exterior are both polished
                   to the same level of perfection. The form of this ewer is
                   loosely modelled after archaic bronze zun vessels from the
                   Han dynasty. However the compressed form of the original
                   has been elongated in a more elegant manner, the mouth
                   tapering to the spout in the form of a heart or ruyi head, all
                   supported on superbly articulated ruyi feet. The form could
                   also be seen as a fusion of two traditions, that of archaic
                   bronzes and horn-shaped vessels.
                   For other jade vases of similar fine workmanship, sharing
                   the iconography of dragons and phoenix, emblematic of
                   the emperor and empress, see a large pale green jade vase
                   in the Palace Museum, Beijing, worked with a long chilong
                   depicted clambering over the rim of the vessel, illustrated in
                   Zhongguo yuqi quanji [Complete series on Chinese jades],
                   vol. 6, Hebei, 1991, pl. 148. See also a smaller Qianlong
                   reign-marked yellow jade vase with similar iconography,
                   illustrated ibid., pls 146-147. All three vases share the same
                   bold craftsmanship, with almost identical depiction of the
                   dragon’s muscular body, ferocious expression and poise,
                   suggesting they all emanate from the same workshop. For
                   another jade vessel attributed to the early 18th century,
                   similarly fusing the traditions of an archaic bronze and a
                   rhyton, see one decorated with a chilong clambering onto the
                   rim, sold in these rooms, 8th October 2014, lot 3671.
                   Sir Henry Philip Price, 1st Baronet (1877-1963) was an
                   English businessman and philanthropist who innovated
                   the tailoring business in the early 20th century. He used
                   his fortune to promote botany and was a key donor to
                   Kew Gardens, which named a garden after him. In 1938,
                   he bought Wahehurst Place, an Elizabethan mansion,
                   which he decorated under the guidance of his close friend
                   Frank Partridge. His collection was sold to great acclaim at
                   Sotheby’s London in November 2000.

































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