Page 16 - September 20th 2021, Indian and Himalayan Art Christie's NYC
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Property Of The Virginia Museum Of Fine Arts
                 Sold To Benefit Future Acquisitions



                  PROPERTY OF THE VIRGINIA MUSEUM OF FINE ARTS, SOLD TO BENEFIT
                  FUTURE ACQUISITIONS
                  406
                  A RARE BRONZE FIGURE OF PADMAPANI               印度東北部   帕拉王朝   十一/十二世紀   銅蓮華手觀音坐像
                  NORTHEASTERN INDIA, PALA PERIOD, 11TH-12TH CENTURY
                                                                  來源:
                  4æ in. (12.1 cm.) high                          Nasli及Alice Heeramaneck伉儷珍藏,鈕約,1969年前。
                  $40,000-60,000                                  維吉尼亞州藝術博物館,入藏於1969年 (館藏編號69.8.39)。
                  PROVENANCE:
                  Nasli and Alice Heeramaneck Collection, New York, before 1968.
                  Virginia Museum of Fine Arts, accessioned in 1968 (acc. no. 68.8.39).
                  LITERATURE:
                  Himalayan Art Resources, item no. 24663.




                  Powerfully cast despite its small size, Padmapani Lokeshvara, the
                  bodhisattva of compassion, is seated in a languid  lalitasana  pose.
                  His benevolent gaze and slight grin both veer leftward, an assured
                  expression surmounted by an elaborate topknot of dreadlocks (jatas). A
                  long lotus stem wraps around his left wrist, while the other lotus stalk
                  grows from the base. Two bands of wonderfully flared petals build the
                  signature Pala-style double lotus base, framed by heavy beaded rims.

                  This refined and well-provenanced bronze is product of the important
                  Pala dynasty that flourished in eastern India from the eighth to the
                  twelfth century — one of the last strongholds of Buddhism in India, as
                  the  subcontinent became increasingly  Hindu  by the  eleventh century.
                  The period saw a surge in travel in the region among Buddhist
                  practitioners and laypeople to sacred sites associated with Buddha
                  Shakyamuni.  With  this  came the  expanded  propagation  of  Buddhist
                  texts and religious icons, particularly bronze sculpture, which were
                  easily transported by pilgrims. As a result, Pala bronze work achieved an
                  exceptional level of sophistication and to this day, is revered as one of the
                  golden eras of the Indian sculptural tradition.

                  The Pala style traveled from India to Nepal, China and Tibet, and served
                  as an important foundation for sculptural and painting traditions in
                  subsequent centuries. The double-lotus base over the stepped plinth
                  is, for instance, a widely-used style created during this period and
                  emulated widely for many centuries thereafter. The lasting influence is
                  clear as even much later Tibetan workshops continued to emulate Pala
                  styles;  for  example,  see  a  seventeenth-to-eighteenth  century  Tibetan
                  bronze figure of Padmapani sold at Christie’s New York 20 March 2019,
                  lot 616 (Himalayan Art Resources, item no. 24470), demonstrating clear
                  Pala influences through the figure’s languid pose, double lotus base, and
                  heavy lotus stalks flanking either shoulder, hallmarks of the Pala style.
                  Also compare the present lot to a contemporaneous figure of Manjushri,
                  also formerly in the Nasli and Alice Heeramenack Collection, published
                  by U. von Schroeder in Indo-Tibetan Bronzes, Hong Kong, 2008, p. 282,
                  no. 69B. Both works demonstrate the Pala artists' masterful casting
                  of languorous poses and similar stylistic elements such as the flared
                  petals, beaded rims, and fashioning of the lotus stalks.           (reverse)
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