Page 84 - Fine Japanese Art September 25, 2020 Galerie Zacke Netsuke and Sagemono
P. 84

158|   KAGETOShI: AN EXQUISITE EBONY WOOD AND
                                                                                                                                                  IVORY NETSUKE OF AN OX WITh BOKUDO

                                                                                                                                            By Kagetoshi, signed Kagetoshi 景利
                                                          157|   KAGETOShI: A LARGE ChERRY WOOD                                             Japan, Tokyo, mid to second half of 19th century
                                                               NETSUKE OF A BOY ON GOAT
                                                          By Kagetoshi, signed Kagetoshi 景利                                                 A small and exquisitely carved netsuke depicting an ox herder
                                                          Japan, c. 1830, Edo period (1615-1868)                                            (bokudo) playing the flute atop a recumbent ox. The ox, carved
                                                                                                                                            from ebony wood, has extremely finely rendered hairwork (best
                                                          published: Hurtig, Bernard (1973) Masterpieces of Netsuke Art, p.                 appreciated under a microscope), as well as a finely carved rope
                                                          176, no. 735.                                                                     which passes through the rope halter attached to its nose and all
                                                          Bandini, rosemary (2019) The Larry Caplan Collection of Japanese                  the way over its back, underneath the boy. The bokudo is minutely
                                                          Netsuke, p. 54, no. 29.                                                           carved from ivory and climbs up over the ox’s back playing the flute.
                                                                                                                                            The underside is equally well carved showing the many hooved feet,
                                                                                                                                            three of them are neatly tucked underneath the body, the other
                                                          An exceptionally large work when considering Kagetoshi’s usual                    slightly raised next to the body. Himotoshi through the underside
                                                          output. Depicted is a Chinese boy seated atop a goat, the carving                 and signed within a rectangular reserve KAGETOSHI.
                                                          executed in striking detail, particularly to the animal’s shaggy fur.
                                                          The carving radiates with tranquility, in part owed to the sensitive              Though there are some doubts about Kagetoshi’s origin, some of
                                                          expressions and to the choice of material. The cherry wood shows                  his later works are certainly in the style of the Tokyo school, such as
                                                          hues of red shimmering through. The underside with deeply                         the present piece.
                                                          excavated and asymmetrical himotoshi and signature within a
                                                          rectangular reserve KAGETOSHI.                                                    HEIGHT 2.3 cm, LENGTH 3.7 cm
                                                          HEIGHT 3.6 cm, LENGTH 4.9 cm                                                      Condition: Generally, in good age-appropriate condition. The tip of
                                                                                                                                            the ox-herder’s flute has been professionally restored. The raised
                                                          Condition: The left foreleg is re-attached. Otherwise excellent                   foot and one horn have been professionally re-attached and are
                                                          condition.                                                                        completely original!
                                                          provenance: Ex collection Victor Topper and Larry Caplan,                         Provenance: Austrian private collection.
                                                          Toronto.
                                                                                                                                            Literature comparison:
                                                          The subject is an unusual combination. In Chinese an innocent child               Compare to a similar netsuke by Tokoku, in The Metropolitan
                                                          is sometimes referred to as Xiao yang, or ‘innocent little goat’.                 Museum of Art, accession no. 10.211.780.
                                                          Estimate EUR 4.000,-                                                              Estimate EUR 4.000,-
                                                          Starting price EUr 2.000,-                                                        Starting price EUr 2.000,-



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