Page 139 - Sotheby's Speelman Collection Oct. 3, 2018
P. 139

It is rare to find ewers made in cloisonné enamel and even   Qianlong ewers appear to have been inspired by an earlier,
                             rarer are those bearing an imperial reign mark which identifies   Ming-dynasty ewer such as the one published in The
                             the vessel to be made for the Palace. Only one other similar   Complete Collection of Treasures of the Palace Museum.
                             ewer, possibly the pair to the present vessel, appears to be   Metal-bodied Enamel Ware, Hong Kong, 2002, pl. 67. While
                             recorded, the ewer in the National Palace Museum, Taipei,   the two Qing ewers closely follow the Ming prototype, they
                             illustrated in Enamel Ware in the Ming and Ch’ing Dynasty,   have one additional design element – the dragon tail. Qing
                             National Palace Museum, Taipei, 1999, no. 61 (fig. 1). The   craftsmen made liberal changes to earlier models by adding
                             spout in the form of a phoenix head, the swing-handle   their own design elements, thus creating vessels that were
                             decorated with two facing dragons amongst swirling ‘wish-  contemporary and individual. The dragon tail may be regarded
                             granting’ clouds (ruyi yun) and the dragon tail decoration on   as a continuation of the spout that has the phoenix head
                             the side of the vessel are all highly auspicious design elements   emerging out from the jaws of a dragon mouth.
                             associated with the emperor and the empress. Two facing   For an example of cloisonné enamel ewer of different form see
                             dragons symbolise a happy reunion (xi xiangfeng), while the   one of squat drum shape with three feet and curving spout, in
                             dragon and phoenix together represent good fortune and   the Phoenix Art Museum, illustrated in Chinese Cloisonne. The
                             blessings for the emperor and the empress. The dragon   Clague Collection, Phoenix, 1980, pl. 32, attributed to the 17th
                             and phoenix are the most auspicious amongst the mythical   century.
                             animals and together form a typical motif used at weddings.
                             The clouds are named after ruyi (as you wish) and symbolise
                             the granting of all wishes for the happy couple. From its rich
                             decoration, this ewer was probably made as a wedding gift.



























































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