Page 158 - Sotheby's Speelman Collection Oct. 3, 2018
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3438

           A RARE CHENXIANGMU                            十七世紀

           ‘LANDSCAPE’ BRUSHPOT                          沉香木雕山村歸客圖筆筒
           17TH CENTURY

           the gently tapering and fluted sides carved in various levels
           of high relief on the exterior, depicting idyllic landscape
           scenes of plantain, wutong, pine trees, bamboo and leafy
           shrubs growing from cascade rocks, interrupted by sheltered
           cottages and distant figures within, mounted with a curved rim
           and hardwood base, the dark wood patinated to an oily finish,
           the interior lacquered and fitted with a copper lining
           w. 15 cm, 5⅞ in.
         ◉   HK$ 800,000-1,000,000
           US$ 102,000-128,000

           Chenxiangmu (eagleswood) brushpots are rare objects for
           the scholar’s desk. They usually retain the natural form of the
           wood, and are characteristically decorated with applied relief
           scenes pieced from smaller sections of wood as seen on the
           current brushpot. The three-dimensional composition of this
           brushpot is enhanced through the sophisticated use of high
           and low relief carving. The natural knots of the wood have
           been cleverly incorporated into the decoration conveying a
           naturalistic rocky cascade.
           For a closely related brushpot, with landscape decoration in
           similar protruding relief, in the Palace Museum, Beijing, see
           Zhongguo zhumu yajiao qi quanji [The complete collection
           of Chinese bamboo, wood, ivory and rhinoceros horn], vol.
           4: Ya jiao qi [ivory and rhinoceros horn], Beijing, 2009, cat.
           no. 51. Another example from the Qing court collection,
           with remarkably similar treatment to the trees and rocks, is
           illustrated in The Complete Collection of Treasures of the
           Palace Museum. Bamboo, Wood, Ivory and Rhinoceros Horn
           Carvings, Hong Kong, 2002, no. 49.




































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