Page 164 - Sotheby's Speelman Collection Oct. 3, 2018
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3441

           A CLOISONNE ENAMEL                            明十六世紀    掐絲琺瑯寶鴨熏爐

           AND GILT-BRONZE ‘DUCK’
                                                         來源:
           INCENSE BURNER AND                            The Oriental Art Gallery Ltd,倫敦,1995年

           COVER                                         David B. Peck 三世收藏
                                                         紐約佳士得2014年9月18日,編號604
           MING DYNASTY, 16TH                            展覽:

           CENTURY                                       《Oriental Works of Art》,The Oriental Art Gallery Ltd,倫
                                                         敦,1995年,編號116
           well cast in the form of a duck standing on its right webbed foot
           with the left raised, atop an associated 16th century gilt-bronze
           stepped beaded-edged pedestal with a pendent lotus border,
           the bird depicted with its gilt-bronze head slightly turned to
           the left with its beak rendered agape and revealing its slender
           tongue, inlaid with beaded yellow eyes in paste, the exterior of
           the hollow body, neck and upturned tail brightly enamelled with
           undulating streaks of plumage, the cover forming the back of
           the bird and similarly rendered with bright plumage, centred
           with a pierced circular aperture in the form of a cash coin
           24 cm, 9⅜ in.
           PROVENANCE
           The Oriental Art Gallery Ltd, London, 1995.
           Collection of David B. Peck III.
           Christie’s New York, 18th September 2014, lot 604.

           EXHIBITED
           Oriental Works of Art, The Oriental Art Gallery Ltd, London,
           1995, cat. no. 116.

           HK$ 800,000-1,000,000
           US$ 102,000-128,000


           It is rare to find a Ming dynasty Imperial cloisonné enamel   For another Ming dynasty bird-form incense burner, see a
           incense burner of this high quality, created in the form of a   cloisonné enamel example in the form of a waterfowl in the
           mandarin duck. Another closely related example from the   National Palace Museum, Taipei, illustrated in Enamel Ware
           Qing Court collection, depicted standing on a stylised lotus   in the Ming and Ch’ing Dynasties, Taipei, 1999, pl. 42.  See
           leaf, preserved in the Palace Museum, Beijing, is illustrated in   also a goose-form incense burner, lacking its pedestal, from
           The Complete Collection of Treasures of the Palace Museum.   the collection of David David-Weill and now in Musée des
           Metal-bodied Enamel Ware, Hong Kong, 2002, pl. 76. The   Arts Décoratifs, Paris, is illustrated in Beatrice Quette, ed.,
           overall structure, modelling technique and precise treatment   Cloisonné. Chinese Enamels from the Yuan, Ming, and Qing
           of the enamelled design and specific details including the   Dynasties, New York, 2011, p. 277, cat. no. 104.
           poised webbed feet, closely relate to the current example.
           Compare also the cloisonné enamel ‘mandarin duck’ incense
           burner sold in these rooms, 3rd April 2018, lot 3448, from the
           Speelman collection.



















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