Page 209 - Sotheby's Speelman Collection Oct. 3, 2018
P. 209

This finely cast gilt-bronze figure of the bodhisattva Vajrapani,   Vajrapani is more typically shown in a wrathful form and
                             the ‘Vajra Holder’, represents a group of Buddhist figures   known as Guhyapati - ‘the Lord of Secrets.’ He is said to be the
                             made on the orders of the Imperial Court in China during the   main recipient, holder, and protector of all the Tantra texts,
                             first half of the 15th century that displayed a style influenced   literature, and teachings received from Shakyamuni Buddha.
                             by the art of Tibet. According to Ulrich von Schroeder in   From the model of the Lower Tantras, Vajrapani symbolizes
                             Buddhist Sculptures in Tibet, Hong Kong, 2001, vol. II, pp   the body of all Buddhas of the ten directions and represents
                             1237-91, fifty-four Da Ming Yongle nian zhi works have been   enlightened activity. Vajrapani is a meditational deity, and
                             documented in Tibetan monastery collections, most of which   considered a Buddha, with numerous forms found in all of the
                             are held in Potala Palace, Tibet. During the Yuan dynasty, the   four levels of Tantra classification and popular in all traditions
                             authority of Mongol rulers had become closely associated   of Tibetan Buddhism—new and old.
                             with the Tibetan Buddhist hierarchy and, as a result, in
                             their religious practice closely followed Tibetan rituals and   For two closely related Yongle gilt-bronze figures of Vajrapani
                             ceremonies. The close link between the Ming government   of the same size in the collection of the Potala Palace, Lhasa,
                             and the Tibetan Lamas continued in the fifteenth century and   see Ulrich von Schroeder, Buddhist Sculptures in Tibet, Hong
                             prevailed in works such as the present figure. Missions to   Kong, 2001, vol. II, p. 1256-7, pl. 346A-C. Other examples
                             Tibet were carried out which sought to maintain good relations   include one from the Berti Aschmann Collection in the
                             with the Tibetan Lamas, and images such as this figure were   Museum Rietberg, illustrated in Helmut Uhlig, On the Path to
                             exchanged as gifts.                            Enlightenment: The Berti Aschmann Foundation of Tibetan
                                                                            Art at the Museum Rietberg, Zurich, 1995, pp. 106-107, pl.
                             In the Mahayana Buddhist tradition, Vajrapani is one of the   59 (fig. 1), and another illustrated in Buddhist Images in Gilt
                             eight heart-sons of Shakyamuni Buddha, portrayed in a   Metal, Chang Foundation, Taipei, 1993, cat. no. 65.
                             peaceful appearance. In the Vajrayana tradition, however,






















































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