Page 93 - Sotheby's Speelman Collection Oct. 3, 2018
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them to their original historical context in its concrete and   represented by the Jesuits. Like other Qianlong-period clocks
                             microscopic detail. The present Qianlong-period freestanding   currently in such collections as the Palace Museum and the
                             bronze clock is notable for the following points:  Nanjing Museum, the present freestanding clock features
                                                                            distinctively Chinese decorative patterns like passion flowers
                             First, this clock is typical of Qianlong-period Imperially-Made
                             Clocks. As mentioned above, the Qing court gathered the   but are formally modelled on contemporary or even earlier
                             finest craftsmen of the time and had extensive resources. The   Western clocks. This fusion of cultural elements produced an
                             emperor’s direct participation further ensured that the design,   exciting and harmonious new style.
                             manufacture, and testing of each clock was individualised and   Third, the movement of this clock showcases the mastery and
                             without regard to cost. Qianlong-period clocks are noted for   ingenious adaptation of the mechanical principles of clocks.
                             their attention to carved details and their placement. In this   The escapements in these clocks are horizontally oriented but
                             case, the bronze body is thoroughly gilded. Aside from the   different from standard escapements in that they are directly
                             base and the rear door, it is covered throughout with passion   connected to the top of the pendulum through steel plates.
                             flower patterns. Incorporating a variety of techniques, from   This avoids the V-shaped pendulum movement and the steel
                             embedding to openwork to subtractive carving, the flowers,   spring above the pendulum typical of other clocks. Although
                             leaves, and vines are all finely articulated, which took a   enforced by technical and material limitation, this structural
                             tremendous amount of time. The interlocking guaizi-patterned  innovation suggests the ingenuity of the Qing workshop. The
                             scrolls, the ruyi-shaped clouds on the doors, and the Qianlong   structural simplification did not affect the functionality of
                             nianzhi reign mark are all characteristic of Imperially-Made   the clock at all, and accorded with the Daoist philosophy of
                             Clocks of the Qing court.                      returning original simplicity.
                             Second, this clock is a witness to the meeting of eastern   To conclude, the present freestanding gilt-bronze clock is
                             and western cultures. The Zaozhongchu was the fruit of the   characteristic of Imperially-Made Clocks of the Qianlong
                             meeting in the Qing imperial court between Chinese culture,   period. It provides precious material for our understanding of
                             as represented by the emperor and Western culture, as   the production of clocks in the Qing imperial workshops.

















































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