Page 122 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
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j6                            THE CATALOGUE                                  ;
                     KODA (Case 8 and Plate IV. 814, 835, 836)
                        This pottery is known as Koda  In the province  it  is often called Takata, which
                     is another pronunciation of the same name.  Elsewhere in Japan it is known as Yatsu-
                     shiro, for to this place the pottery has, within a hundred years, been consigned for
                     sale.  Its origin is due to Korean potters.  Early pieces have white brush-marks under
                     ^ gray glaze  ; following this came simple conventional lines in Mishima.  These two
                     methods were  strictly Korean.  Finally, Japanese methods brought  in  exquisite
                    designs  of natural  objects,  usually  impressed,  rarely  incised,  of plum  blossoms,
                     bamboo, etc., filled with white, rarely black, and of extreme rarity, blue.  The pottery
                    is made of finely sifted reddish clay covered with a warm gray glaze, rarely white.
                    The utmost nicety is shown in the fashioning of the pieces, which are usually in the
                    form of small tea-pots, cups, and little plates.  Most of the signatures are evidently
                    furnace-marks of different potters who baked in a communal oven.  The great merit
                    of the K5da potters is that in addition to the beautiful and attractive character of their
                    work they have been true to themselves and their country's art  ; they have never
                    been tempted to make stuff for the foreign trade.
                        The work Toki Sh5shi, by Koga Seishu, gives the generations of Koda potters
                    as follows  : The first pottery was made in Koda in 1632 by a Korean named Sonkai,
                    who afterwards changed his name to Agano Kizo, who represents the first generation
                                                                                                 ;
                    second generation Chubei, pseudonym Hosan  ; third generation Chubei, pseudonym
                    Ippu  ; fourth generation Chubei  ;  fifth generation Chuzo ;  sixth generation Chubei
                    seventh generation  Saibei, pseudonym Suzo  ;  eighth generation, the present one,
                    Teizo.
                       Mr.  J.  Tokutomi, the distinguished writer and editor of The Nations Friend, has
                    kindly sent to Higo, his native province, for information regarding certain Higo marks
                    which I sent to him, and to him I am greatly indebted for the following information.
                       There appear to have been two branches of the original Kizo.  The  first Kizo
                    is represented by eight generations.  From the second to the sixth the families bore
                    the name of Chubei, the seventh was known as Hosan, the eighth as Teizo.  The
                    impressed mark To was used by the sixth, the impressed mark Sai by the seventh,
                    the incised mark Tei by the eighth.  The objects in the collection bearing these marks
                    do not accord in age with the probable period of these families. A branch of Kizo had
                    for its founder Tarosuke Agano, and the second, third, and fourth generations bore
                    the same name.  The fifth generation was Gentaro, and the sixth was Yaichiro.  The
                    impressed mark Gen in two forms was used by the fifth generation.  Another branch
                    springing from Kizo was as follows  : 2d, Toshiro  ; 3d, Kuriyemon  ; 4th, Toshiro  ; 5th,
                    Soshiro  ;  6th, Toshiro  7th, Yayei  ; 8th, Toshiro  ; and 9th, Jirokichi.  Of this line
                                         ;
                    the impressed mark To was used by Yayei, the incised mark Katsu was used by one
                    of the Toshiros, and the impressed mark Ka by Jirokichi.  It would seem more likely
                    that Ya was the mark of Yayei, and To was the mark of one of the Toshiros.
                       As there  is no accordance between the memoranda furnished by Mr. Tokutomi
                    and the account as given by Koga Seishu, and, furthermore, as the objects in the
                    collection bearing the above-mentioned marks do not correspond in age with the sup-
                    posed dates of the generations to which they are attributed, I find  it impossible to
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