Page 30 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
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                    lo                            INTRODUCTION

                    Tools and Utensils
                      Tools used in the construction of a house or vessel, utensils connected
                    with husbandry and domestic work generally, as the        rake, hoe, broom,
                    though it may be a ceremonial rake or broom to sweep the little devils out
                    of the house, the distaff, reels, etc., often occur as embellishments.

                    Structures
                      One sees on pottery the representation of certain       structures, a house
                    roof or simple roofing  tile, a castle wall, a bridge or simple bridge post, a
                    trough for conducting water, a well-curb, a rustic fence, a torii, and many
                    others. An infinite variety of such objects  is seized upon by the Japanese
                    potter as appropriate subjects for pottery embellishments.      Strange and
                    often grotesque as many of these appear to be, the      artist, in his choice,
                    has had a definite object in view : they all convey some sentiment of rural
                    felicity, home life, some hint or suggestion of pleasant association.

                    Crests
                      The mon, which    is the equivalent of our heraldic designs, crests, etc., is
                    often seen on pottery, and the exquisite character of these conventional
                    fieures lends  itself with great  effect.  The mo7i of the Mikado and the
                    families of the Shoguns and certain dominant families are seen upon ves-
                    sels, some of which may have been used by the retainers of these fami-
                    lies. When a daimyo or other official ordered pottery from some potter of
                    his own or even of some remote province, he desired the crest of his family
                    to be used in the decoration of each piece. When families are united in
                    marriage, the crests of both families may be found interwoven or overlaid as
                    a decoration.

                    Symbolism
                      The Japanese are rich in symbolism, and largely draw on this material in
                    selecting designs for their art industries.  Brocade, metal work, pottery and
                    lacquer, all bear witness to the infinite variety of these subjects, and the
                    never-ending way in which they are transformed for the purposes of decora-
                    tion.  We, also, are rich in symbolic figures, illustrating attributes or condi-
                    tions, such as hope, faith, plenty, time, courage, meekness, justice, etc. How
                    rarely, however, are these objects brought into use as decorative motives
                    With the exception of the conventional heart, the wheel of fortune, and
                    possibly a few others, our symbols are represented by the depiction of
                    veritable objects, such as the scales for justice, dove for peace, hour-glass for
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