Page 37 - Importan Chinese Art Christie's May 2018
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household or as gifts from the emperor to high Tibetan   of the Chenghua reign the emperor’s advisers became
          lamas favoured by the Chinese court. A number of these   concerned by his preoccupation with Buddhism and the
          gilt bronze fgures held double vajras – for example the gilt   amount spent by the emperor in connection with it, that
          bronze Bodhisattva Vajrapani in the Rietberg Museum,   they suggested a sharp reduction in his perceived support
          Zurich (illustrated by Helmut Uhlig in On the Path to   of Buddhism. This appears to have been adopted for the
          Enlightenment – The Berti Aschmann Foundation of Tibetan   middle part of his reign, but his resumption of expressed
          Art at the Museum Rietberg Zurich, Zurich, 1995, pp.   interest in Buddhism can clearly be seen through the arts
          106-7, no. 59), who holds a vajra, which is his attribute,   produced in the latter years of the Chenghua reign. Among
          in his right hand.  This fgure was made in the imperial   these the ceramics made at the imperial kiln provide a
          workshops in Beijing and bears a Yongle bestowal mark.   good indication of the incorporation of Buddhist motifs,
          A magnifcent Xuande blue and white porcelain lidded jar   including Tibetan Buddhist motifs, on porcelains made for
          with horizontal fanges and several Lamaist inscriptions   the court. In addition to the dishes which bear double vajra
          is preserved in the collection of the Palace Museum,   motifs – such as the current dish and the others discussed
          Beijing, and is illustrated in Blue and White Porcelain with   above - a number of blue and white porcelains made
          Underglaze Red (I), The Complete Collection of Treasures   for the Chenghua court were decorated with Lamaist
          of the Palace Museum, vol. 34, Hong Kong, 2000, p. 115,   inscriptions, such as the dish with Lamaist inscriptions on
          no. 109. In the Xuande reign the number of Tibetan lamas   both interior and exterior in the collection of the Palace
          who came to reside in the monasteries in the capital rose   Museum, Beijing, illustrated in Blue and White Porcelain
          to record numbers, so much so that at the beginning of the   with Underglaze Red (II), The Complete Collection of
          Zhengtong period (1436-49), 691 of them were sent home,   Treasures of the Palace Museum, vol. 35, op. cit., p. 20, no.
          and soon after that the Minister of Rites requested that a   18. Lamaist inscriptions also appear on Chenghua vessels
          further 450 be removed, but the emperor would not allow   decorated in doucai style, such as the small doucai cup
                                                              with scrolling lotus and Sanskrit characters, which was
          forcible repatriation.
                                                              excavated from the late Chenghua stratum at the imperial
          In the reign of the Chenghua emperor (1465-87) there   kilns at Jingdezhen, illustrated in A Legacy of Chenghua –
          were 437 Tibetan monks holding high rank and 789    Imperial Porcelain of the Chenghua Reign Excavated from
          lamas, who could enter the court freely. In the early years   Zhushan, Jingdezhen, op. cit., pp. 290-1, no. C101.

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