Page 131 - Irving Collection Part II Chinese Art
P. 131

1176    A LARGE INSCRIBED MOTTLED GREYISH GREEN AND WHITE
                     JADE BOULDER
                     CHINA, QING DYNASTY, 19TH CENTURY
                     The front well carved with two scholars crossing a rocky ledge below   PROVENANCE
                     a pavilion, with a fve-character inscription carved in a line to the left of   Floyd and Josephine Segel Collection.
                     the wutong tree in the center near a waterfall that empties into a natural   Major John Court Collection.
                     pool in the rocks,  all below a lengthy poetic inscription inscribed on a   Roger Keverne, London.
                     plain rockface above, the reverse carved with a bridge and trees amidst   The Irving Collection.
                     further rockfaces, the stone of pale grey-green color with opaque areas   EXHIBITED
                     of ivory color                                     London, Roger Keverne, Fine and Rare Chinese Works of Art and Ceramics -
                     9Ω in. (24.1 cm.) wide, ftted walnut stand         Winter Exhibition, November 2004.
                     $20,000-30,000                                     LITERATURE
                                                                        Barry Till and Paula Swart, “Mountain Retreats in Jade,” Arts of Asia,
                                                                        July-August, 1986, p. 50.
                                                                        Roger Keverne, Fine and Rare Chinese Works of Art and Ceramics -
                                                                        Winter Exhibition, London, 2004, p. 91, no. 105.

                                                                        The fve-character inscription reads Wu Shan di yi quan and may be
                                                                        translated, “the number one stream of
                                                                        Mt. Wu,” and the poetic inscription refers to the scene.

                                                                        清十九世紀   青白玉雕訪友圖大山子






























































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