Page 12 - Nov. 2019 Christie's Hong Kong Important Chinese Ceramics
P. 12

2903

         A FINE BLUE AND WHITE ‘BIRD AND                   ᪺㢫᢬   㤎⩈ᖺᖬ⩈㲄ॲⳊ♄⦦㉛↛
         FLOWER’ CUP
         YONGZHENG PERIOD (1723-1735)                      Ϝᬜ
         The thinly potted cup is delicately painted to the exterior   㲞ᳰ⼖༛ᬘ卿     ჺ   ᝲ    ᚚ卿ᐽ৅     ⽚
         with two pairs of birds perched on loquat trees, the interior
                                                           ᫉⎷⅏≁ཎႛ卿㬪Ɽ⎉ⰰ᳖㪿Ჶ὞卿ᄓ㛑㬪Ɽᝧ㫐ᙹᡨǸഌᚺᎰࢇჺㅳǹ
         with a stylised double-vajra enclosing lanca characters. The
                                                           ڱᏤ᪪卿ἃ㫇᫈໶⚨⁞ዪ֎Ꮀࢇ໶⚨Ꮢהǯஇ⛁ᘢ༈ࢷ⁒㩴⻦ݦ։Ꮀࢇ
         countersunk base is inscribed with an apocryphal Chenghua
                                                           㬪Ɽ⎷卿ཨ༿ࣿ⡠㱈ம⯝ទ⎾⏟ऱ卿ⶬ㢙ᙻ      ჺझ࢈߅‸ǶᎰࢇ≢
         reign mark in a double square.
                                                           ଍⁞ཿஎ㢙Ƿ卿எ    ࣿ   ǯ㊃ཿ㈇Քࡺᑐݦ։ऱ⡠㱈⎏ૃ㬬᪪⎷卿㇦
         3¬ in. (9.3 cm.) diam., box
                                                           ߿ᔘᝧ卿எ    ࣿ   卿ज㇦᫉≢଍৅♎ᇖᚺԋឆལӬ⏜᳅ईႽ⎑੧ዴ卿
         HK$400,000-600,000              US$52,000-77,000  ᫓Ԝ჎ᙲǯ
         PROVENANCE                                        #SJBO 4  .D&MOFZ Ⅷ⻦Ӭ։ऱ᪪㫇᫈⎷卿ज㏱ᬘ㖅卿     ჺཿ㈇ᙻ࠼ᑣ
         Sold at Sotheby’s Hong Kong, 28 April 1992, lot 101  ഌ⣠അߧՌ⻱ワ㱦Ƕ1PSDFMBJO PG )JHI 2JOHǷ卿எ    ⽚ǯ
         This delicate cup, with its thin potting and soft tones of cobalt blue, is
         inspired by prototypes from the Chenghua reign, such as two cups of
         identical size and design of Chenghua mark and period, in the National
         Palace Museum Collection, illustrated in Catalogue of the Special
         Exhibition of Ch’eng-hua Porcelain Ware, Taipei, 2003, nos. 60 and 61.
         In the same exhibition there are also two Jiajing-marked cups with the
         same design, ibid, nos. 62 and 63.
         Compare to an identical Yongzheng cup from the Brian S. McElney
         Collection, illustrated in Porcelain of the High Qing Porcelain of the High
         Qing, Art Gallery of Greater Victoria, 1983, no. 18.

























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