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2273                                              2274


           2273
           A RARE LACQUERED IRON MENPO (FACE MASK)
           Edo period (1615-1868), 18th century
           Forged in iron with deep wrinkles on the cheeks and an open
           mouth, the removable bulbous nose plate applied with a stiff bristle
           mustache, the teeth lacquered gold, a small chin tuft under the lower
           lip, the exterior surface covered in flesh-colored lacquer, the interior
           lacquered red, fitted with a four-lame yodarekake laced in blue

           US$2,500 - 3,500
           The flesh-colored lacquer finish on this menpo, and probably the
           armor that accompanied it, was intended to create the illusion
           of a warrior entering battle wearing no armor at all. The intended
           psychological effect was to create for the wearer an outward
           appearance of fearlessness. It also illustrates the somewhat eccentric
           tastes among the warrior class of the mid-Edo period.

           2274
           AN IRON MENPO (FACE MASK)
           Edo period (1615-1868), 18th century
           The russet-iron mask bearing a fierce expression with wrinkles on the
           cheeks and around the mouth, the teeth teeth silvered, fitted with a
           five-lame yodarekake laced in blue
           US$2,500 - 3,500
           2275
           A SHINGEN JINGASA
           Edo period (1615-1868), 19th century
           Constructed with a central ridge running the length of the helmet and
           with a flaring rim turning up at the front, lacquered overall in black
           with a family crest of omodaka (water plantain) in gold hiramaki-e, a
           decorative ring applied to the rear with a silk braid, the rim fundame
           and the underside red lacquer decorated with gold foil, with the
           original straps and interior padding and applied eyelets possibly for
           holding a hood
           12in (30.5cm) wide

           US$2,500 - 3,500
           The origins of this style of jingasa are said to trace back to Takeda   2275
           Shingen (1521-1573), who it is believed favored this shape.
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