Page 8 - mar 21 Japanese and korean art Bonhams

2007 2008
2007 2010
UTAGAWA HIROSHIGE I (1797-1858) TORII KIYONAGA (1752-1815), UTAGAWA HIROSHIGE I (1797-
Edo period (1615-1868), circa 1853 1858), AND KATSUSHIKA TAITO II (1810-1853)
Comprising three oban tate-e prints from the series Dai Nihon Edo period (1615-1868), circa 1788-1852
Rokujuyoshu meisho zue (Famous Places in the 60-odd Provinces Comprising four oban tate-e, three harimaze cuts and one
of Japan); Kai, Saruhashi (Kai: Monkey Bridge); Etchu, Toyama, chutanzaku print; a harimaze cut titled Komatsu ni tsuru (Cranes
Funabashi (Etchu: Toyama, Pontoon), and Iwami, Takazunoyama, and Pine Shoots), circa 1830-1844, signed Taito; an oban tate-e
Shiohama (Iwami: Mount Takazuno, Salt Beach), all circa 1853, depicting a scene from the play Modori kago iro ni aikata (A Harlot’s
signed Hiroshige hitsu (3) Love in a Returning Palanquin), circa 1788, published by Nishimuraya
14 1/8 x 9 1/2in (36 x 24cm) each approximately Yohachi, signed Kiyonaga ga; three oban tate-e, the first Totsuka
(Totsuka) from the series Tokaido gojusan zue (53 Pictures of the
US$1,500 - 2,500 Tokaido Road), censor’s seals Hama, Umagome; Woman Sitting on
a Balcony, censor’s seals Mera, Watanabe, both circa 1847-1852,
2008 published by Fujioyaka Keijiro; and Soshu Enoshima iwaya no zu
(View of the Cavern at Enoshima Island), circa 1843-1847, censor’s
UTAGAWA HIROSHIGE I (1797-1858) seal Muramatsu, all signed Hiroshige ga; a chutanzaku titled Natsu,
Edo period (1615-1868), circa 1855 Ryogoku no tsuki (Summer: Moon at Ryogoku Bridge), from the
Two oban tate-e prints from the series Gojusan tsugi meisho zue series Shiki Koto meisho (Famous Views of Edo in the Four Seasons),
(Famous Sights of the 53 Stations); Numazu, Ashigarayama Fuji circa 1832-1834, signed Hiroshige ga; two harimaze cuts, the first
no yukibare (Numazu: Fuji in Clear Weather after Snow, from the Okabe, Fuchu, cuts from sheet six of the series Tokaido gojusan
Ashigara Mountains), and Kusatsu, Kusatsu kara Yabase michi tsugi zue (Famous Sights of the 53 Stations), circa 1856, published
no yumi to tsuru (Kusatsu: Bow and String Route from Yabase to by Yamaguchiya Tobei (Kinkodo), censor’s seals Aratame, tatsu
Kusatsu), both circa 1855, published by Tsutaya Kichizo (Koeido), ni, signed Hiroshige, the second Kii, Koya, Karukaya Doshin (Kii:
censor’s seals Aratame, u shichi, signed Hiroshige hitsu (2) Karukaya Doshin at Mount Koya), a cut from sheet 16 of the series
14 1/8 x 9 3/8in (36 x 23.7cm) each approximately Kunizukushi harimaze zue (Cutout Pictures of the Provinces), circa
1852 (8)
US$2,000 - 3,000 15 x 10 1/4in (38 x 26cm) largest
7 x 3 3/8in (18 x 8.5cm) smallest
2009
UTAGAWA HIROSHIGE I (1797-1858) US$1,000 - 1,500
Edo period (1615-1868), circa 1857
Two oban tate-e prints from the series Omi hakkei no uchi (Eight
Views of Omi); Karasaki yau (Night Rain at Karasaki), and Hira
bosetsu (Twilight Snow at Hira), published by Uoya Eikichi, censor’s
seals Aratame, mi san, signed Hiroshige ga (2)
14 1/4 x 9 5/8in (36.4 x 24.5cm) each approximately
US$1,200 - 1,800
6 | BONHAMS