Page 49 - Bonhams Royal Collection Fine Japanese Art London Nov. 2019
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           SHIBATA ZESHIN 柴田是真 (1807–1891)
           ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD
           SCRAPS) WITH DESIGN OF WAVES AND PLOVERS
           波千鳥図蒔絵頓骨
           Meiji era (1868–1912), circa 1870–1890

           With tapering sides, rounded corners, and overhanging lid, probably   Exhibited and Published:
           of wood, covered in dark-brown, almost black seidō-nuri, with a   Nezu Bijutsukan (Nezu Museum) 2012, cat. no. 31
           design of chidori in gold takamaki-e and waves in red lacquer; signed
           in scratched characters toward the base of one of the shorter sides   Published:
           Zeshin 是真                                         Hirano 1998, cat. no. 56

           6.6cm × 8.9cm × 4.7cm (2⅝in × 3½in × 1⅞in)        £15,000 - 20,000
                                                             JPY1,900,000 - 2,600,000
           With fitted wood tomobako inscribed Zeshin-ō saku nami ni chidori   US$18,000 - 24,000
           maki-e tonkotsu Kakan’an Chikushin kan narabi ni dai 是真翁作 波に
           千鳥蒔絵頓骨 可寛菴竹真鑒並題 (Tonkotsu with waves and plovers   The design motif of waves and chidori, variously translated as
           in maki-e by the venerable Zeshin, certified and inscribed by Kakan’an   ‘dotterels’, ‘wave-birds’, or ‘plovers’, has been used in Japanese
           Chikushin), with seal Yūsai 有斎, and an open-weave silk bag with a   lacquer for around a millennium and owes its origin to the poetic idea
           tying-cord and lacquered netsuke in the form of a covered jar (4)   of small birds being formed from the spray of ocean waves; ever the
                                                             innovator, Zeshin shows many of the birds on the ground rather than
           Provenance:                                       in flight. The waves were painted by hand in wet lacquer, an even
           Hirano Family, Hyakuraku-an Collection            more laborious method than Zeshin’s trademark combed seigaiha-nuri
           平野家(百楽庵)旧藏                                        technique.
           Misumi Hisashi Collection
           三隅悠 旧蔵                                            For more information regarding Shōji Chikushin, please refer to the
           Sold in these Rooms, 5 November 2014, lot 1       footnote to lots 9 and 11.

           Exhibited:
           Museum of Fine Arts, Boston, 2017–2018


           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  A ROYAL COLLECTION    |  47
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