Page 23 - Sothebys Imperial Porcelain Private Collection
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The side-facing dragon has been replaced with a large and   Yongzheng dishes with a related design are known, painted
                            exquisitely-detailed winged form (yinglong) that faces forward,   with a large central dragon without wings among clouds and
                            the innate confidence and power of which is conveyed through   surrounded by four smaller dragons; one in the National
                            his ferocious eyes. The muscular bodies of the sinuous   Museum of China, Beijing, is illustrated in Zhongguo Guojia
                            dragons are accentuated through the ornate flower scrolls,   Bowuguan guancang wenwu yanjiu congshu/Studies on
                            which have been perfectly spaced to provide a harmonious   the Collections of the National Museum of China. Ciqi juan
                            sense of movement. The flowers also offset the ferocity of the   [Porcelain section]: Qingdai [Qing dynasty], Shanghai, 2007,
                            dragons and illustrate their benevolence on earth; a deliberate   pl. 38; and another, included in the exhibition Ming and
                            tool utilised to associate the qualities of the divine creature   Ch’ing Porcelain from the Collection of the T.Y. Chao Family
                            with the Emperor.                         Foundation, Hong Kong Museum of Art, Hong Kong, 1978, cat.
                                                                      no. 81, was sold in in these rooms, 18th November 1986, lot 80.
                            The band of wind-tossed crested waves around the rim is
                            an innovative addition to the original composition. It brings   Dishes of the present type continued to be favoured by the
                            ‘water’ into the overall composition which is quintessential to   Qianlong Emperor who commissioned very similar vessels
                            the yinglong. The yinglong in Chinese mythology is associated   to be produced. Compare a large dish with a Qianlong reign
                            with water and is said to have helped stop the Yellow River   mark and of the period sold twice in our New York rooms, 23rd
                            from flooding by digging channels with its tail. It is also the   October 1976, lot 325, and again, 22nd March 2000, lot 133;
                            carrier of rain in times of draught. The wave-band is also found   and another sold in these rooms, 26th November 1980, lot
                            on Xuande dishes decorated with similar flower scrolls to the   311. Although Qianlong dishes closely follow the Yongzheng
                            present charger, but without dragons; see one illustrated in   prototype, the flower scroll decoration is denser with the
                            John Alexander Pope, Chinese Porcelains from the Ardebil   number of flower heads doubled while the leaves are also more
                            Shrine, Washington, 1956, pl. 34. fig. 29.88 (fig. 2).  uniform and crowded. The presentation of the dragon also
                                                                      changed, with the Qianlong dragon being more slender and
                                                                      stylised compared to its Yongzheng counterpart.




















































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