Page 15 - Collecting and Displaying China's Summer Palace in the West
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Acknowledgments















              This volume emerged from papers presented at a conference at the University of
              Manchester in July 2013—The Yuanmingyuan in Britain and France: Representations
              of the “Summer Palace” in the West. I am grateful to Yangwen Zheng, Professor of
              History and formally Acting Director of the Centre for Chinese Studies at the
              University of Manchester, for her support of this event—and for her advice and
              encouragement throughout. At the University of Manchester, Hannah Mansell and
              Olivia Pennelle provided much needed organizational help; and Stephen Welsh,
              Curator of Living Cultures at the Manchester Museum, offered illuminating inter -
              pretation sessions devoted to the Chinese collections as part of the conference pro -
              gramme, which were much appreciated. I thank Greg Thomas for his thoughtful
              advice during the conference preparations, as well as for his translations of both
              Vincent Droguet’s paper and the chapter in this volume. I am grateful as well to all
              the contributors and participants at the conference for creating such an intellectually
              stimulating atmosphere.
                The original series editor, Michael Yonan, supplied positive and enthusiastic feed -
              back from the start. Margaret Michniewicz at Ashgate gave excellent guidance on
              the initial proposal, while Isabella Vitti and Julia Michaelis at Taylor & Francis have
              ably seen the volume through to publication. I would like to thank Katrina Hill for
              commenting on a draft of the introductory chapter. The views of two anonymous
              reviewers were also extremely useful. Above all, I am indebted to James Hevia’s pio -
              neering work. His book, English Lessons: The Pedagogy of Imperialism in Nineteenth-
              Century China (2003) inspired my initial research on “Summer Palace” objects some
              years ago, thus sowing the seeds for both the conference and this publication.
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