Page 86 - Collecting and Displaying China's Summer Palace in the West
P. 86

The Yuanmingyuan and Design Reform in Britain 71
              Quette, Béatrice. “Cloisonné Form and Decoration from the Yuan through the Qing Dynasties.”
                In Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, edited by Béatrice
                Quette, 31–61. New York: Bard Graduate Center, 2011. Exhibition catalogue.
              Rey, Marie-Catherine. Les très riches heures de la cour de Chine: chefs-d’œuvre de la peinture
                impériale des Qing 1662–1796. Paris: Réunion des musées nationaux, 2006.
              Samoyault-Verlet, Colombe. Le Musée chinois de l’impératrice Eugénie. Paris: Réunion des
                museés nationaux, 1994.
              Science and Art Department of the Committee of Council on Education.  Catalogue of the
                Special Loan Exhibition of Enamels on Metal Held at the South Kensington Museum in
                1874. London: Chiswick Press, 1875. Exhibition catalogue.
              Swinhoe, Robert. Narrative of the North China Campaign of 1860. London: Smith, Elder &
                Co., 1861.
              Tythacott, Louise. The Lives of Chinese Objects: Buddhism, Imperialism and Display. Museums
                and Collections, vol. 3, Oxford: Berghan Books, 2011.
              Vanke, Francesca. “Degrees of Otherness: the Ottoman Empire and China at the Great
                Exhibition of 1851.”  In Britain, the Empire and the World at the Great Exhibition of
                1851, edited by Jeffrey A. Auerbach and Peter H. Hoffenberg, Aldershot: Ashgate, 2008,
                191–205.
              Wan Yi, Shuqing Wang, and Yanzhen Lu. Daily Life in the Forbidden City: The Qing Dynasty,
                1644–1912. Trans. R. E. Scott and E. Shipley. New York: Viking, 1988.
              Waring, J.B. Masterpieces of Industrial Art & Sculpture at the International Exhibition, 1862.
                3 vols. London: Day & Son, 1863.
              Weber, Susan. “The Reception of Chinese Cloisonné Enamel in Europe and America.” In
                Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, edited by Béatrice
                Quette, 187–221. New York: Bard Graduate Center, 2011. Exhibition catalogue.
              Whiteway, Michael. Christopher Dresser, 1834–1904. Milan: Skira, 2001.
              Whiteway, Michael, Ed. Christopher Dresser: A Design Revolution. London: V&A Publications,
                2004.
              Wong Young-tsu. Paradise Lost. Honolulu: University of Hawaii Press, 2001.
              Yihua Li. Kangxi, Yongzheng, Qianlong: Qing Porcelain from the Palace Museum Collection.
                Beijing: Forbidden City Publishing House, 1989.
              Young, Paul. “The magic of the East.” In  Globalization and the Great Exhibition: The
                Victorian New World Order, 120–125. Basingstoke: Palgrave, 2009.
              Zhang Hongxing, ed. The Qianlong Emperor: Treasures from the Forbidden City. Edinburgh:
                National Museums of Scotland Publishing, 2002. Exhibition catalogue.
              Zhang Rong. “Cloisonné for the Imperial Courts.” In Cloisonné: Chinese Enamels from the
                Yuan, Ming and Qing Dynasties, edited by Béatrice Quette, 151–69. New York: Bard
                Graduate Center, 2011. Exhibition catalogue
              Zhu Jiajin. “Qingdai hua falang qi zhizai kao,” Gugong bao wuyuan yuan kan, (1982): 67–76,
                96.
   81   82   83   84   85   86   87   88   89   90   91