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“True Beauty of Form and Chaste Embellishment” 83
Notes
1 e.g. James Hevia, English Lessons: The Pedagogy of Imperialism in Nineteenth-Century
China (Durham, NC: Duke University Press, 2003), Haiyan Lee, “The Ruins of
Yuanmingyuan: Or, How to Enjoy a National Wound,” in Places of Memory in Modern
China: History, Politics and Identity, ed. Marc Andre Matten (Leiden: Brill, 2012),
193–232, Eric Ringmar, Liberal Barbarism: the European Destruction of the Palace of
the Emperor of China (New York: Palgrave, 2013).
2 James Hevia, “Loot’s Fate: the Economy of Plunder and the Moral Life of Objects ‘From
the Summer Palace of the Emperor of China.’” History and Anthropology vol. 6, no. 4
(1994): 318–345, Magnus Fiskesjo, “Politics of Cultural Heritage.” In Reclaiming Chinese
Society: the New Social Activism, edited by You-Tien Hsing and Ching Kwan Lee (New
York: Routledge, 2010): 225–245, Kristina Kleutghen, “Heads of State, Looting,
Nationalism and Repatriation of the Zodiac Bronzes.” In Ai Weiwei: Circle of Animals,
edited by Susan Delson (New York: Prestel, 2011); 162–183, Katrina Hill, “Collecting
on Campaign: British Soldiers in China During the Opium Wars.” Journal of the History
of Collections (2012): 1–26, Audrey Wang, Chinese Antiquities: an Introduction to the
Art Market (Farnham: Lund Humphries, 2012).
3 Phillips, A Catalogue of a Collection of Ancient Porcelain, Received Direct from China
(London: January 24, 1861).
4 Christie, Manson and Woods, A Catalogue of a Valuable and Interesting Collection of
Objects of Chinese Art from the Summer Palace at Pekin, the Property of An Officer
(London: June 12, 1861).
5 Hevia, English Lessons.
6 Hevia, English Lessons; Hill, “Collecting on Campaign”.
7 Nick Pearce, “Soldiers, Doctors and Engineers: Chinese Art and British Collecting,
1860–1935.” Journal of the Scottish Society for Art History, vol. 6 (2001): 45–52.
8 Peter Lund Simmons, “On the Foreign Department of the Inter national Exhibition of
1862.” Journal of the Society of Arts vol. 10, no. 471 (November 29, 1862): 26; Benjamin
Pierce Johnson, Report on International Exposition of Industry and Art, London
1862 (Albany, NY: 1863), 49; A.W. Franks, Letter read at a meeting of the Society of
Antiquaries, January 30, 1862, reproduced in Proceedings of the Society of Antiquaries
of London, 1861–1864, second series, vol. 2 (January 30, 1862): 54.
9 Stacey Pierson, Collectors, Collections and Museums: The Field of Chinese Ceramics in
Britain, 1560–1960 (Bern: Peter Lang, 2007).
10 Catherine Pagani, “Objects and the Press: Images of China in Nineteenth-Century Britain.”
In Imperial Co-Histories: National Identities and the British and Colonial Press, edited
by Julie F. Codell (New Jersey: Fairleigh Dickinson University Press: 2003), 146–166.
11 Joseph Marryat, A History of Pottery and Porcelain, Medieval and Modern (London:
John Murray, 1868), 270, fn 4.
12 The International Exhibition. The Industry, Science, and Art of the age: or, the Inter -
national Exhibition of 1862 popularly described from its origin to its close, etc. [With
a photograph.] (London, 1863).
13 Report on the Arts Department of the Exhibition at Wells Journal of the Bath and West
of England Society for the encouragement of Agriculture, Arts, Manufactures and Com -
merce, vol. X (London: 1862), 385 XX.
14 Stacey Pierson, From Object to Concept: Global Consumption and the Transformation
of Ming Porcelain (Hong Kong: University of Hong Kong Press, 2013),74, fn 105.
15 Anonymous, “Jottings from the Note-Book of an Undeveloped Collector.” The Cornhill
Magazine vol. XVI (Jul-Dec 1867), 683–684.
16 Pierson, Collectors, Collections, 2007; James Hevia, “Plunder, Markets and Museums:
the Biographies of Chinese Imperial Objects in Europe and North America”, in What’s
the Use of Art? Asian Visual and Material Culture in Context, edited by Jan Mrazek and
Morgan Pitelka, (Honolulu: University of Hawaii Press, 2008), 129–141.
17 List of Objects in the Art Division South Kensington Museum, Acquired during the year
1871. Arranged according to the dates of acquisition (London: Science and Art Depart -
ment of the Committee of Council on Education, 1872), 1.