Page 100 - A Dictionary of Chinese Symbols BIG Book
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A-Z     93
           The story of Zhou Yan-zi, however, is very well known in China. He is always shown
        wearing the deer-skin which he adopted as  a disguise when his blind  parents  wanted
        deer’s milk as a cure. Zhou’s subterfuge was successful. This is one of the best-known of
        the 24 examples of filial piety (   xiao) still familiar to all Chinese children. It has even
        found its way on to Taiwanese stamps.
           ‘Père  David’s  deer’  (mi-lu,  Elaphorus davidianus) is popularly known as the ‘Four
        Unlikes’ as it has a deer’s head, an ass’s tail, a camel’s back and a cow’s ear.
           In the popular novel ‘The Metamorphoses of the  Gods’  this  deer  figures  as  the
        favourite mount of the hero, Jiang Zi-ya. If a pregnant woman sees a mi-lu, her child will
        have four eyes.

                                          Dew


        lu





        Dew may symbolise the grace and bounty which flow downwards from the    Emperor
        to ‘bedew’ the people. But it may also symbolise a fleeting love affair which passes like
        morning dew. When one of the Song Emperors was completely captivated by the charms
        of  a  new concubine, the forsaken Empress lamented that now ‘she was no more
        besprinkled by the gracious rain and bounteous dew’. The ‘Temple of Sweet Dew’ (gan
        lu si) was a building in the southern state of Wu, according to the ‘Romance of the Three
        Kingdoms’: the ruler of Wu, the southernmost of the so-called ‘Three Kingdoms’ (3rd
        century AD), hoping to marry his daughter to the ruler of the western state of Shu, had
        invited the latter to visit him. But first of all, while the visitor was waiting to be received,
        the ruler of Wu sent his mother with two lady’s maids, to have a look at the prospective
        bridegroom and size him up. The ruler of Shu saw through the subterfuge and promptly
        made his departure. This scene is often depicted in temples.

                                        Divorce


        li hun





        According to legislation which was in force as far back as Tang times a man could
        divorce his wife on any one of seven counts: if she had failed to bear him a son, if she
        had committed adultery, if she was too talkative (i.e. discussed family matters with the
        neighbours), if she was a thief or obsessively jealous, if she was ‘sick’ (probably this
        refers to venereal disease) or if she suffered from a severe illness. It was a punishable
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