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3652

           A GOLD-SPLASHED BRONZE TRIPOD             明末    銅灑金朝冠耳三足爐
           ‘C’-SHAPED HANDLED INCENSE BURNER               《大明宣德年製》仿款
           LATE MING DYNASTY
                                                     來源:
           of archaistic ding form, sturdily cast with a compressed
           globular body resting on three cabriole legs, each with a   倫敦蘇富比1984年5月4日,編號443
           stylised ruyi bloom to the bulging upper section, the sides
           flanked by a pair of C-shaped handles, each with a ribbed
           outer surface pierced with a lobed cartouche and ending
           with a defined lobed upper edge decorated with ruyi scrolls,
           the body bordered with eight studs, each with a central
           medallion wreathed by scrollwork, the base centred with a
           recessed cartouche enclosing an apocryphal six-character
           Xuande mark, the vessel decorated overall save for the
           interior and mark with attractive gold splashes
           28.6 cm, 11¼ in.

           PROVENANCE
           Sotheby’s London, 4th May 1984, lot 443.
           HK$ 150,000-250,000
           US$ 19,200-31,900

           Ulrich Hausmann, the scholar and collector of later Chinese
           bronzes, discusses Xuande reign-marked bronzes from the
           late Ming dynasty in his essay, ‘In Search of Later Bronzes’,
           ed. Paul Moss, Documentary Chinese Works of Art in
           Scholar’s Taste, Sydney L. Moss Ltd, London, 1983, p. 232:
             “The end of the Ming dynasty, for many a period of
             decadence and decline, saw a surprising variety of
             new creations and proves to be a much underrated
             period which produced fine and often highly original
             metalwork. Many pieces show an uninhibited display
             of differing designs and unusual shapes which
             probably make this period the most individualistic
             of all the later periods. Because of the diversity
             of appearance, sometimes rather fancy, many of
             these pieces are wrongly ascribed to the eighteenth
             century, rather than one hundred years earlier”.
           The archaistic ding form of the current incense burner,
           which fits with Hausmann’s description, is reminiscent of
           Wanli dated porcelain examples. See a Wanli blue and white
           examples of similar compressed form with handles curving
           upwards, from the Edward T. Chow collection, sold in these,
           rooms 19th May 1981, lot 422, and an example dated to
           1586, sold in our New York rooms, 13th September 2017, lot
           63. The current incense burner is particularly innovative with
           its elegant ‘C’-shaped handles.














          Mark






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